Ukulele Hunt

Tag: Folk

  • R.E.M. – Shiny Happy People (Tabs)

    R.E.M. – Shiny Happy People (Tab)Download

    It’s crazy it’s taken me this long to cover R.E.M.’s Shiny Happy People given how perfectly it captures my personality.

    Intro: For such a light-hearted song, there’s a bunch going on musically. There are three key changes and a change of time signature before the vocals kick in.

    The song starts in 6/8 time in the key of G# (G in the original) for a relaxed intro before it kicks into 4/4 in bar 4. That shifts into the riff in the key of Bb. The riff is very fun to play. Worth learning even if you’re not bothering with the rest of it.

    Verse: The verse moves into the key of G minor. A less abrupt key change since Gm is the relative minor of Bb. The verse bounces up and down the fretboard. But it’s not too challenging to play.

    Chorus: Things are a bit more difficult in the chorus with the three, slightly overlapping, voices covering a large range.

    Outro: This is made up of the main riff and Kate Pierson’s “Happy peeepooooooole” bit. There’s room to play around with the chorus melody here if you fancy stretching out a bit.

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  • Mumford and Sons – The Cave (Tabs)

    Mumford and Sons – The Cave (Tabs)Download

    The stomp-clap era has been receiving a sometimes unhinged level of vitriol recently. But I still enjoy it so here’s Mumford and Sons’s The Cave.

    Intro: The intro works very nicely on uke. Well worth learning even if you’re not bothered about the rest of the song.

    I’m using thumb-and-two-finger picking in this section. And switching to one finger per string in the other sections.

    Verse: The verse melody is very similar to the riff. So, to distinguish them, I’m using fretted notes rather than open strings. There are slight variations in the verses. But I don’t think anyone would notice if you played them all the same.

    Chorus: This section uses a mixture of strums and picking. With the strums getting more intense each time. The final chorus really ramps up the intensity and is the hardest part to play.

    Instrumental: Here, you’re bashing out the verse chords and the riff. There are also some hammer-ons that give it a very Beirut feel.

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  • Waxahatchee – Right Back to It (Tabs)

    Waxahatchee – Right Back to It (Tab)Download

    This arrangement of Waxahatchee’s Right Back to It is a rare outing in the key of Bb, which keeps all the melodies comfortably within the first few frets.

    But there’s still plenty of movement up and down the neck in the song’s instrumental sections. And there are many of those with an intro and two solos. I’ve kept the intro close to the original. And I recommend you do the same. But the solos have plenty of room for your own ideas. For mine, I’m following the chord shapes and adding in notes from the Bb major scale (plus a C# in bars 42 and 54 for a bluesy edge). And I use lots of slides and bends to imitate a lap steel guitar. The lick in bar 53 in particular is a classic lap steel move.

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  • Don McLean – American Pie (Tabs)

    Don McLean – American Pie (Tab)Download

    Inevitably, I’ve trimmed this one down from its 8 1/2 minute runtime. This arrangement includes the opening slow verse, then speeds up for the first chorus, then speeds up again for the second verse and chorus.

    There’s nothing too tricky to play until the second half of the second verse. As well as the increased tempo, there’s a lot of jumping up and down the neck to handle.

    But the hardest part for me was memorising the verses. The chorus has a very catchy melody and a clear chord structure. But the verses are meandering and wordy. The chord progression never settles into a pattern. And even changes slightly between the two verses.

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  • Eagle-Eye Cherry – Save Tonight (Tabs)

    Eagle-Eye Cherry – Save Tonight (Tab)Download

    I hadn’t thought about Eagle-Eye Cherry’s Save Tonight since the Cretaceous period until it was requested on Patreon. But the chorus is still buried in the back of my brain.

    Intro: Just strumming out the chords with a few hammer-ons. Don’t feel you have to slavishly follow the tab here. So long as you keep the feel of the original

    Verse: A few challenges here. There’s a lot of movement up to the fifth fret and back, some quick chord changes and some pull-offs to deal with.

    Chorus: The chorus is much easier to get in a groove with. Be sure to keep the strums on the second and fourth beats of each bar percussive. I’m almost moving into the range of them being chnks.

    Solo: I kept the solo short and strummy. If you want to stretch out, you can double the number of bars (to make it the same length as the original) and introduce your own ideas.

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  • R.E.M. – Find the River (Tabs)

    R.E.M. – Find the River (Tab)Download

    Here’s my take on a track from R.E.M.’s massive Automatic for the People: Find the River.

    Intro: Easing into the song with a very straightforward four bars. Then into some tricky fast picking in the next four bars. Be sure to play the G chord in bars 5 and 7 by barreing the second fret. That’ll make for a smooth transition up the neck for the Gm7.

    Verse: The verse is fairly simple. It’s all first position chords and almost all strummed.

    Chorus: The chorus is more challenging as it moves up and down the neck. Although it’s still just strumming. The trickiest part comes in the second half of bars 19 and 21. If you’re finding that tricky, Here’s an alternative version that’s easier to play. Although it does require a quicker move down to the G chord.

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  • Buena Vista Social Club – Chan Chan (Tabs)

    Buena Vista Social Club – Chan Chan (Tab)Download

    Chan Chan was originally written by Compay Segundo. But it’s the Buena Vista Social Club version that is best known. And it’s that one I worked from.

    Intro: The intro sets up the chord progression that’s used (adding a 6 or 7 here and there) all the way through the song: Dm-F-Gm-A. The rest of the song is in 4 bar sections, but the intro has 6 bars. Which makes the start of the verse come in at an odd place.

    Verses: For the melody sections, you’re playing the same chords at the fifth fret. And that’s interspersed with two bars from the intro.

    Chorus: A very similar melody to the verse, but this time played twice through and with a four bar section of the intro.

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  • The Animals – House of the Rising Sun (Tabs)

    The Animals – House of the Rising Sun (Tab)Download

    House of the Rising Sun has been performed by every folkie including Bob Dylan, Leadbelly and Mumford & Sons. But the most famous is by The Animals. And it’s that version I’ve based the arrangement on.

    Intro: You could pluck this section out of the song and it makes a nice little fingerpicking exercise (played with one finger per string picking). Worth learning even if you’re not tackling the whole song.

    Verse: Sticking with the one finger per string picking. The priority here is making sure the melody notes stand out. It helps that the tune is so well known that people will hear it more easily.

    Solo: This solo is built around the chords with notes from the D blues scale (i.e. the D minor pentatonic with an Ab). I also throw in a few chromatic notes right at the end. Plenty of scope here for including your own ideas.

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  • Bon Iver – Speyside (Tabs)

    Bon Iver – Speyside (Tab)Download

    Bon Iver’s long-awaited return Speyside is a return to the stripped down sound of For Emma, Forever Ago. Which makes it very uke-suitable.

    I’m playing it with a capo on the second fret. But that’s just to make it in the same key as the original. You can play it without the capo if you prefer.

    There’s nothing physically difficult about the arrangement. The real challenge is keeping track of the time signature changes. If there’s any rhyme or reason to the time signature, I couldn’t find it. So I’ve just tabbed it how I felt it. Which means a new time signature each bar until it settles into 4/4 for the last few bars of each section.

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  • Bob Dylan – Buckets of Rain (Tabs)

    Bob Dylan – Buckets of Rain (Tab)Download

    Here’s my take on Buckets of Rain from Bob Dylan’s incredible album Blood on the Tracks.

    This one gets a little fiddly in places. But there are only really two sections. So it’s not a lot to get down.

    I’m using one finger per string picking all the way through. But there are a couple of places with quick repetition of notes on the same string where you might want to do a bit of alternate picking e.g. bar 8.

    There’s a slight variation in the intro/solo section. In bar 20 and 21, you have to head up the neck for a slide.

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