Tag: Folk

  • R.E.M. – Shiny Happy People (Tabs)

    It’s crazy it’s taken me this long to cover R.E.M.’s Shiny Happy People given how perfectly it captures my personality.

    Intro: For such a light-hearted song, there’s a bunch going on musically. There are three key changes and a change of time signature before the vocals kick in.

    The song starts in 6/8 time in the key of G# (G in the original) for a relaxed intro before it kicks into 4/4 in bar 4. That shifts into the riff in the key of Bb. The riff is very fun to play. Worth learning even if you’re not bothering with the rest of it.

    Verse: The verse moves into the key of G minor. A less abrupt key change since Gm is the relative minor of Bb. The verse bounces up and down the fretboard. But it’s not too challenging to play.

    Chorus: Things are a bit more difficult in the chorus with the three, slightly overlapping, voices covering a large range.

    Outro: This is made up of the main riff and Kate Pierson’s “Happy peeepooooooole” bit. There’s room to play around with the chorus melody here if you fancy stretching out a bit.

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  • Mumford and Sons – The Cave (Tabs)

    The stomp-clap era has been receiving a sometimes unhinged level of vitriol recently. But I still enjoy it so here’s Mumford and Sons’s The Cave.

    Intro: The intro works very nicely on uke. Well worth learning even if you’re not bothered about the rest of the song.

    I’m using thumb-and-two-finger picking in this section. And switching to one finger per string in the other sections.

    Verse: The verse melody is very similar to the riff. So, to distinguish them, I’m using fretted notes rather than open strings. There are slight variations in the verses. But I don’t think anyone would notice if you played them all the same.

    Chorus: This section uses a mixture of strums and picking. With the strums getting more intense each time. The final chorus really ramps up the intensity and is the hardest part to play.

    Instrumental: Here, you’re bashing out the verse chords and the riff. There are also some hammer-ons that give it a very Beirut feel.

    Links

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  • Waxahatchee – Right Back to It (Tabs)

    This arrangement of Waxahatchee’s Right Back to It is a rare outing in the key of Bb, which keeps all the melodies comfortably within the first few frets.

    But there’s still plenty of movement up and down the neck in the song’s instrumental sections. And there are many of those with an intro and two solos. I’ve kept the intro close to the original. And I recommend you do the same. But the solos have plenty of room for your own ideas. For mine, I’m following the chord shapes and adding in notes from the Bb major scale (plus a C# in bars 42 and 54 for a bluesy edge). And I use lots of slides and bends to imitate a lap steel guitar. The lick in bar 53 in particular is a classic lap steel move.

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  • Don McLean – American Pie (Tabs)

    Inevitably, I’ve trimmed this one down from its 8 1/2 minute runtime. This arrangement includes the opening slow verse, then speeds up for the first chorus, then speeds up again for the second verse and chorus.

    There’s nothing too tricky to play until the second half of the second verse. As well as the increased tempo, there’s a lot of jumping up and down the neck to handle.

    But the hardest part for me was memorising the verses. The chorus has a very catchy melody and a clear chord structure. But the verses are meandering and wordy. The chord progression never settles into a pattern. And even changes slightly between the two verses.

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  • Eagle-Eye Cherry – Save Tonight (Tabs)

    I hadn’t thought about Eagle-Eye Cherry’s Save Tonight since the Cretaceous period until it was requested on Patreon. But the chorus is still buried in the back of my brain.

    Intro: Just strumming out the chords with a few hammer-ons. Don’t feel you have to slavishly follow the tab here. So long as you keep the feel of the original

    Verse: A few challenges here. There’s a lot of movement up to the fifth fret and back, some quick chord changes and some pull-offs to deal with.

    Chorus: The chorus is much easier to get in a groove with. Be sure to keep the strums on the second and fourth beats of each bar percussive. I’m almost moving into the range of them being chnks.

    Solo: I kept the solo short and strummy. If you want to stretch out, you can double the number of bars (to make it the same length as the original) and introduce your own ideas.

    Links

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  • R.E.M. – Find the River (Tabs)

    Here’s my take on a track from R.E.M.’s massive Automatic for the PeopleFind the River.

    Intro: Easing into the song with a very straightforward four bars. Then into some tricky fast picking in the next four bars. Be sure to play the G chord in bars 5 and 7 by barreing the second fret. That’ll make for a smooth transition up the neck for the Gm7.

    Verse: The verse is fairly simple. It’s all first position chords and almost all strummed.

    Chorus: The chorus is more challenging as it moves up and down the neck. Although it’s still just strumming. The trickiest part comes in the second half of bars 19 and 21. If you’re finding that tricky, Here’s an alternative version that’s easier to play. Although it does require a quicker move down to the G chord.

    Links

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