Tag: 20s

  • Irving Berlin – Blue Skies (Tabs)

    Versions of Irving Berlin’s Blue Skies range widely in their approach. There are uptempo takes, such as the Ella Fitzgerald and Nat King Cole versions, which lean into the suspiciously joyful “we’ll never have problems again“-ness of it. And there are slow, mournful takes like Dinah Washington’s.

    This arrangement lands somewhere near the Willie Nelson version with a lot of bluesy touches.

    Intro: Starting of with an E minor chord set against chromatically descending notes on the C-string. This bit is mostly picking out notes from the chords with some short licks thrown in. It’s all fingerpicked until the strums leading into the verse in bars 7 and 8.

    Verse: Nice and easy to play. The melody is contained and the chords are simple to play. Here I’m picking the melody and strumming everything else.

    Chorus: The chorus is more of a challenge. Be sure to keep this section staccato (i.e. short notes) to set it against the more legato verses.

    Solo: For the solo, I stuck closely to the chords and melody notes. Throwing in a few bluesy bends here and there. I get a bit more adventurous in the second half, throwing in some chromatic notes in bar 43 and an E minor pentatonic lick in bar 45. I’d recommend building your own solo using any ideas from this solo you like and playing in your own style.

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  • Willie Nelson – Stardust (Tabs)

    A tab of Willie Nelson’s version of Stardust (written by Hoagy Carmichael) for everyone who likes a bit of Willie. In thanks for his contributions to ukeing as father of Amy Nelson of Folk Uke and grandfather of Raelyn Nelson.

    There are loads of less common chords in the song. And a fair amount of hopping around the fretboard. But the tempo is very slow and there’s plenty of room for changing the phrasing of the melody. So this one is fairly straightforward to play.

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  • Tiny Tim – Tiptoe Through the Tulips (Tab)

    I was very snooty about Tiny Tim back in the day. But, now my brain has gone soft in old age, I’ve developed a fondness for him. The more the ukulele world has become populated with people with good hair and nice teeth the more I appreciate him making the ukulele an instrument for weirdos and outcasts.

    So the latest stop in my Jazz Odyssey is the song famous by Tiny Tim with his deeply unsettling ukulele version.

    And there’s lots to love about this song. I particularly enjoy the chromatic rise of the chords in the chorus. I’ve tried to emphasise that in the arrangement. The intro and the solo are almost all notes in the chords plus chromatic notes leading into or out of a chord. I’d encourage to have a play around and insert some of your own ideas in those.

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