Tag: Moderate

  • Sleater Kinney – Modern Girl (Tabs)

    Sleater Kinney’s Modern Girl has a straightforwardness and sarcastic cheeriness that makes this one their most uke-able songs.

    Intro: The intro is a very simple bit of fingerpicking. It’s a good piece to try if you’re new to fingericking. The thumb picks everything on the C- and E-strings. And the middle finger picks the A-string. Then the index finger picks the E-string in bar 5 and from bar 10 onwards.

    Verse: The picking gets trickier in this section. I’m mostly using one finger per string picking. But I play the rapid notes in bar 22 with alternate picking.

    Chorus: A lot more strums in this section. But some more quick alternate picking in bar 26.

    Solo: The harmonic solo is my favourite part of the song. And it’s pretty simple to play. The tricky part is the quick transition into the next verse.

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  • The Flaming Lips – Do You Realize?? (Tabs)

    There’s nothing too difficult to play in Do You Realize?? . But it is constantly shifting. There are slight changes in chord progressions, melodies and time signatures. Not much is a direct repeat. I found keeping track of everything a bit taxing on the noggin.

    Intro: I’ve tabbed the emphasised strums (the little arrows above the tab) for the first two bars. But the same pattern continues.

    Verse: This is a good example of what I was talking about. It feels like the chord progression should repeat in the first verse. But it’s slightly different every time. Although the two verse fragments later in the song are direct repeats.

    Chorus: Two entirely different choruses. The first has a lot of strums and is in G. The second is more delicate and is in Em.

    Break: A brief key change to Bb before heading back to G.

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  • The Black Keys – Tighten Up (Tabs)

    The Black Key’s Tighten Up, like most of their songs, is a very straight forward blues rock song. But there are a couple of oddities. The first is a rogue bar of 3/4 in bar 38.

    The second starts at bar 48 when the song, ironically, loosens up and the tempo slows. I think you could switch the 3/4 bar to 4/4 and no one would notice. But the tempo change feels integral to the song.

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  • Blink-182 – All the Small Things (Tabs)

    Here’s a fun version of Blink-182’s infectious (in the good sense and the bad sense) earworm All the Small Things.

    Intro: All strums. I’m using my index finger a bit like a pick here (and in most of the song).

    For all the strumming parts in the song, don’t worry about hitting the exact strings so long as you’re holding down the chord.

    Verses: I’m using a bit of palm muting on the strings during the strums (i.e. resting the side of my strumming hand lightly on the strings). That allows the melody to stand out more.

    The only tricky part here is in bar 17. I like the harmony on “At my show” so I’ve included that with the lower note picked by the thumb and the higher note by the index finger.

    Pre-Chorus, Chorus and Outro: All very simple strumming on standard chords.

    Solo: Similar to the intro but with a little melody on the g-string. So try to emphasise that as much as you can.

    Break: Starts of with strumming then switches to fingerpicking which builds into the outro. The picking isn’t complicated but it is fast. If you’re only it for the strumming, you can skip this bit entirely and just play the first four bars of the break.

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  • boygenius – Ketchum, ID (Tabs)

    Here’s a quick version of my favourite boygenius song: Ketchum, ID. It’s straightforward to play on uke and uses one finger per string picking the whole way through.

    Intro: This is my own noodling over the C-F-C-G chord progression. A good place to pick out your own version.

    Verses: Both verses (I’ve gone with the Phoebe Bridgers verse and Lucy Dacus verse) are simple melodies that are just played in the first position.

    Choruses: The choruses move up and down the neck as I do my best to recreate the harmonies on uke. But the pace is stately so it’s not too tricky.

    There are small differences between the choruses. Notably an Am chord in bar 49 for the final chorus.

    Bridge: Another place you can introduce your own ideas. I’ve stuck fairly close to the original.

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  • Christine and the Queens – Tilted (Tabs)

    This is a rare occasion where I didn’t get tilted trying to record the video. It’s a straightforward and fun song to play on uke. There are many moves up and down the neck but you have plenty of time for them.

    The only challenge I had was playing the open C note on the offbeats in the verse (e.g. bar 13). I’m so used to plodding out the thumb-picked notes on the beats it took a bit of practice to rewire my brain.

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  • Tom Odell – Another Love (Tabs)

    Tom Odell’s Another Love managed to amass 900 million views on YouTube without me ever having heard it. Luckily, my Patreons are more on the ball than I am and requested it. And it’s a catchy song that fits nicely on ukulele in the original key.

    Technique-wise, it’s a song of two halves. For the first half, it’s all fingerpicking. The intensity picks up in the first midtro with the strums coming in during bar 42. Don’t worry about hitting every note exactly as it’s tabbed in the strumming section. It’s more important to keep up the intensity and the feel.

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  • The Beatles – Now and Then (Tabs)

    The Beatles aren’t going to let a little thing like half the band being dead stop them making hits. And their latest is the earworm Now and Then.

    Intro: Some simple strumming to start with.

    Verse: There’s a lot of barreing going on in the verses. Which makes it a bit of stamina test for the fretting hand. But nothing difficult to play.

    Chorus: The “Now and then” bit is played on the g-string. So make sure you emphasise it enough for it to register as the melody.

    Watch out the second time around as the solo cuts the chorus short.

    Solo: For once, the solo is very easy. A few notes sliding around but mostly strumming chords.

    Outro: A change in time signature and descending chords against a pivot (A-string, 5th fret). My favourite part of the song.

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  • Foo Fighters – Learn to Fly (Tabs)

    As you expect from the Foos, Learn to Fly is a straightforward rocker. So a lot of strumming and nothing too intricate.

    The trickiest part comes in some of the quick switches from G to Dm. One of these shows up for the first time in bar 5. Here there’s an open-G used as part of the melody to give you a little extra time to change chords. The second comes in the chorus (at the end of bar 13). Here you strum all the strings open and hammer-on an entire Dm chord.

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  • Pixies – Here Comes Your Man (Tabs)

    ntro: The classic Here Comes Your Man riff. Played with a few extra supporting notes to beef it up.

    Verse: Nothing too challenging here. Just open chords until the build up into the pre-chorus.

    Pre-Chorus: Bars 24-25 are the trickiest part of the song. There’s a big leap up to a bend at the tenth fret for the, “so long, so long,” backing vocals. That makes for an easier transition into bar 25.

    Chorus: Back to the riff mixed in with the melody. There’s plenty of jumping up and down here but I find this section fun to play.

    First Solo: A nice little melody for the transition back to the verse.

    Second Solo: Much less melodic. The original is mostly bashing out chords with a few bends. For this take, I’ve shortened it down but there’s still a lot of bashing.

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