Tag: Folk

  • Iris Dement – Our Town (Tabs)

    Amazingly, Our Town was the first song that Iris Dement wrote and she came up with the lyrics from beginning to end with no editing. Another fact I learned researching this song: The Goo Goo Doll’s Iris was named after her.

    This arrangement is based on the original. But the first time I ever heard this song was Kate Rusby’s cover. So some of that version will have slipped in.

    The backbone of the song is baby’s first chord progression: C – F – C – G7. That runs all the way through the song. The melody is also straightforward. It’s all contained in the first few frets. Plus, I’m playing it loosely and throwing in strums wherever it feels right. So there’s nothing too challenging here.

    But if you want to stretch out, there’s plenty of room to do solo in the solos. The solos in my arrangement are of my own invention. So you’re welcome to ditch them and come up with your own. If you keep track of the chord changes and use the C major scale, you can’t go wrong.

    I would recommend approaching each solo with an idea or a plan to explore. So I based the intro solo on the melody and kept it within the first four frets. For the second solo (bars 21-24) I start off with a country bend, then focus on holding the chord shapes and adding notes onto those. And the final solo (bars 49-52) I wanted to use campanella style playing (so the notes are spread across the strings).

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  • Cat Stevens – Morning Has Broken (Tabs)

    For this arrangement I worked from the Cat Stevens version. But a few bits of the version I sang in primary school might have slipped in.

    The two main sections of this song are wildly different in terms of difficulty. The verses are very straightforward. It’s a gentle melody with easy chords and a few supporting notes.

    The section where he’s hammering away on the piano is much trickier. As well as the fast picking, the chord changes are more challenging. In the original, he speeds up considerably in these parts. I haven’t sped up anywhere near as much. And you could slow the tempo even further without spoiling the sound.

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  • Simon and Garfunkel – April Come She Will (Tabs)

    A seasonally appropriate song from Simon and Garfunkel (the supergroup formed from Garfunkel and Oates and Trevor and Simon) and a good fingerpicking workout.

    I’ve kept the Travis picking technique from the original for this. The index finger picks the E-string, the middle finger the A, and the thumb alternates between the g- and C-strings all the way through. This brings up a couple of problems.

    Firstly, it’s very easy for the melody to get lost in the pattern. Which would make it sound like an accompaniment. So try to emphasise the melody as much as you can.

    Secondly, the first note of the melody (bar 7) is on the C-string. There you have to break the pattern by picking the C-string with your index finger. I found it awkward and the trickiest part of the arrangement.

    There are a few bars of 2/4 scattered around the tab. But everything flows very nicely, so don’t let that put you off.

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  • Loudon Wainwright/Vetiver – The Swimming Song (Tab)

    A song from one of my favourite singer-songwriters (and occasional uker). With a hat-tip to Vetiver’s cover.

    The song is a lot of fun to play. The arrangement is mostly bashing out the chords with a few hammer-ons and single notes thrown in. There are only two sections in the song and they’re virtually identical.

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  • Agnes Obel – Riverside (Tab)

    I must admit, I’d never heard of Agnes Obel until it was requested on Patreon. I looked it up expecting to find a niche artist and found the video had 35 million views. No doubt helped by the long list of TV shows it’s appeared in.

    After the opening twiddle, the arrangement starts out with campanella playing. Let these notes ring into each other to build up the sound.

    The trickiest bit comes in bar 15 with three open A-string notes played in quick succession. If you’re struggling with that, you can substitute the middle note with the g-string, 2nd fret. Or miss it out entirely.

    The only other bits that might throw you are the slight finger-twister in bar 38 and the switch to 3/8 time for bar 42.

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  • Joni Mitchell – A Case of You (Tabs)

    A tab to celebrate the recent release of long-lost demos of a young Joni Mitchell apparently playing ukulele.

    I think this is the first time I’ve transferred a song from dulcimer to ukulele. And it works nicely. I just transposed the original down half a step and it fitted perfectly.

    What didn’t transfer so easily were the vocal lines. The vocals tumble out of her unpredictably. Which matches the meaning of the song perfectly, but is a pain in the arse to play. So I’ve taken a few liberties and played the song as it felt right to me. I recommend you do the same rather than sticking rigidly to the original or the tab.

    In the repeat of bars 35 and 36, I did a little run up the neck. Rather than write the whole thing out again, I’ve included tab for just those bars at the end.

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  • Damien Rice – The Blower’s Daughter (Tab)

    While I was tabbing the Frankie Valli track the line, “Can’t take my eyes off you,” kept reminding me of this track. And it’s not the only familiar part of this song. The bridge is a dead-ringer for No Surprises.

    The arrangement uses a mixture of picking and strumming. As a rule of thumb, if it’s just one note it’s picked. And if it’s more than one, it’s strummed. Don’t worry about hitting exactly the same strings as are tabbed. As long as you’re holding down the right chord it’ll sound good.

    The original is in the key of E. So I’ve moved it up into the more uke-friendly key of G. Plus there’s a key change in the bridge to A. Which carries though into the final chorus making it two frets higher than the earlier choruses.

    Having dragged my keyboard out of its dank cave earlier this week, I threw a bit of cello on this track. The arrangement works fine without it though.

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  • Tracy Chapman – Fast Car (Tabs)

    Considering what a massive hit this was, it’s not structured at all like a pop song. The verses are a jumble of words and the chorus doesn’t hit until two minutes into the song. But the guitar riff and the “You’ve got a fast car” refrain are both great hooks that sustain the song until the chorus.

    The wordiness of the verses presents a bit of a problem for a ukulele version. There are long sections where it’s just the same note repeated. To make that manageable, I’ve done three things. First, I slowed it down. Second, I haven’t played every syllable she sings. Third, I’ve split the notes between the strings e.g. in bars 10 and 12 the A note alternates between the g-string 2nd fret and the open A-string. Even with all that, I found it a challenge to play.

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  • The Proclaimers – Sunshine on Leith (Tab)

    I posted this video last December and in all the excitement of 2020 completely forgot to post it until a YouTube commenter reminded me.

    It’s a very simple song. Just beginner-level chords and a contained melody. There’s only one jog up the fretboard in bar 31.

    The restraint of the music certainly doesn’t stop it being emotionally impactful. The simplicity and openness of the song makes it the perfect choice for the Hibernian Football Club song. So good it was voted best football anthem. Although I’d put it second behind You’ll Never Walk Alone.

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  • The Lumineers – Gloria (Tab)

    Thanks to Patreon Jenn for requesting this typically catchy stomper from The Lumineers.

    Most of the arrangement is strummed with the melody notes added to the chords. Arranging like that does risk the melody getting lost in the chords. It helps that this song has a strong melody. And it really helps if the listener already knows the song.

    The little arrowheads above the notes indicate emphasised strums. So give those an extra bit of oomph or the strum is going to sound very boring.

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