Tag: Soul

  • Al Green – Let’s Stay Together (Tabs)

    Al Green’s Let’s Stay Together is a buttery-smooth track, a laid-back feel, and has an earworm melody and tasty chords. All of which mean it suits the ukulele well.

    Intro: The intro nicely sets up the harmony for the piece. And prepares you for plenty of movement up and down the neck. Keep the notes (except the C-string bass notes) staccato to mimic the horns.

    Verse: The first verse has a more minimal arrangement. The second and third verses are heavier and have a bit of filigree. You can mix and match these elements as you like. Or include some of your own ideas.

    Pre-Chorus: A tasty Am9 in this section. Which is fretted like an Em chord but with the g-string played at the second fret.

    Chorus: A lot of moving up and down here. But if you plan ahead, you can use the passing notes to get into position for the next chord. For example, if you play the A-string, 3rd fret in bar 40 with your pinkie, you’ll be set up for the Dm7 chord in bar 41.

    Solo: The string solo is the hardest part of the song. I’ve kept this arrangement as close to the original as possible. But I think there’s room for a more uke-friendly version if you want to try. Or, I don’t think anyone would notice if you just skipped this section.

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  • Minnie Riperton – Lovin’ You (Tabs)

    Today we’re taking on Minnie Riperton’s sweet lullaby and notoriously bad karaoke choice Lovin’ You.

    I’ve kept the arrangement sparse to match the original and to focus on the melody. But it’s still a challenge to play due to the amount of movement up and down the neck. The trickiest bits being the jumps up to the 12th fret. I found bar 19 particularly challenging.

    Of course, Minnie Riperton’s famed vocal range far outstrips the range of the ukulele. So the ultra-high “ah-ah-ah…” section is shifted down an octave.

    It’s played with one finger per string picking all the way through.

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  • Amy Winehouse – You Know I’m No Good (Tabs)

    This arrangement of Amy Winehouse’s You Know I’m No Good. The chords are simple but effective. The move from Gm to Cm6 (a Cm chord with an open A-string) to D has such a melancholic and resigned feel to it.

    Nothing goes above the fourth fret (and even that is only in the solo), so there’s not much movement to deal with.

    The only challenging technique is the use of grace notes. A grace note is a quick note you play just before the main note. For example, in bar 8 you play the open A-string then immediately hammer-on at the first fret. This gives the melody more of human touch.

    When grace notes happen inside a chord, they’re written before the chord in the tab, but you play them as part of the chord itself. For example, in bar 2 you play 021X, then immediately hammer-on the third fret of the E-string.

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