Month: October 2023

  • Willie Nelson – Blue Eyes Crying in the Rain (Tabs)

    Intro: Matching the Willie version by following the bass notes using the thumb on the g- and C-strings. Followed by strums. 

    Verse and Bridge: Continuing the thumb-plucking and strums, and adding the melody line. Most of the melody line is picked with the fingers, but some notes are part of the strummed chords. 

    There’s a simple lick in bar 11 and a couple of lines inspired by the walking bass in bars 12 and 20.

    Solo: With Willie playing a nylon string guitar, his solo suits the ukulele fairly well. 

    The one problem is the bends. It is much easier to do bends on a uke in the middle of the fretboard. So I’m bending the E-string at the 7th fret rather than the A-string at the second fret. That does require some shifts up and down the fretboard. 

    Although the song is in swing time, the descending line at the end of the solo (bars 43-44) is played straight. 

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  • KT Tunstall – Black Horse & the Cherry Tree (Tabs)

    This is a very propulsive song even in the very sparse sections. So in the verses, where it’s just the melody line, I’m using strum blocking to keep the energy up. The verse melody is busy. But it’s fine to miss a couple of notes so long as you keep the song moving along.

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  • Joni Mitchell – Big Yellow Taxi (Tabs)

    Intro: A cool strummy riff to start off with.

    Verse: Like a lot of Joni’s songs, there are a lot of words crammed in. So you’ll need some quick alternate picking to fit them in. I have cropped out a few notes here and there to make it more playable.

    Chorus: A rare case of a song getting softer at the start of a chorus. Tone it down for the first half of the chorus, then start blasting for the second.

    In the second chorus at the end of the song, there’s a brief pause added on “gone” to look out for.

    Outro: I love the goofy ending. She knocks it up an octave for “they paved paradise,” then drops below the original melody for the rest (sadly, not room for that on the uke).

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  • Queen – Lazing on a Sunday Afternoon (Tabs)

    Intro: The hardest part of the whole song is the chromatic run between bars 3 and 4. I spread the notes between the strings to make it a bit easier to play but it’s still a big challenge.

    Verse: Lots of jumps up and down the neck to deal with. Bars 9-12 are fun to play (once you’ve practiced it enough not to have to think about it).

    Bridge: The tempo slows right down here which helps to make it easy to play.

    Solo: Another section that’s difficult to play. But I mostly ditched the chords for this section so it’s just single notes.

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