Tag: Beach Boys

  • The Beach Boys – Surfin’ USA (Tabs)

    Keeping up the summer vibes (and the Brian Wilson tributes) with The Beach Boys’ Surfin’ USA. Musically, the song is based on Chuck Berry’s Sweet Little Sixteen. But Wilson took the wise decision to change the lyrics.

    The key technique throughout is strum blocking i.e. muting the strings you don’t want to sound. For example, in the opening three notes, I’m muting the g-string with my thumb and the E- and A-strings with my index finger.

    Intro: A very Chuck Berry-style lick. Played with all down-strums. And I’m holding my thumb against my index finger for some extra force (almost holding it like a pick).

    Verse: The verse starts out alternating bars between melody notes (played on the g-string) and a standard blues shuffle. Then switches to more straightforward chords in bar 10.

    For the strum blocking in the melody bars (e.g. bar 4) I’m muting the C-string with the underside of the finger I’m fretting the g-string with. And I’m muting the A-string with my middle finger (which is fretting the E-string).

    Chorus: Starts almost identical to the verse except for having a more basic shuffle and not muting the C-string for the melody parts. Then it ventures up the neck for the falsetto “Everybody’s gone…” in bar 30.

    Solo: I’ve stuck fairly close to the original here. But so long as you stay in the Chuck Berry area, there’s plenty of room to make changes.

    Outro: Just the “Everybody’s gone…” bit repeated, then I threw in a little lick at the end.

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  • The Beach Boys – Wouldn’t It Be Nice (Tabs)

    How else could I pay tribute to Brian Wilson than with one of the greatest songs of all time: Wouldn’t It Be Nice. The song weaves through multiple keys and spans a wide vocal range, so I’ve done some shifting to bring it all within the range of the uke.

    Intro: Kicking off in the key of B with a nifty riff that is a bit of a finger-twister but fun to play. This section ends with a D chord setting things up for the key change to G in the verse. If you’re going to change keys in a song, playing the V chord of the key you’re changing to is the smoothest way to do it.

    Chorus: The happiest section of the song where you’re mostly rocking out open chords. As long as you keep things bright and percussive, you can’t go far wrong here.

    Verse: Moving to the key of E minor (the relative minor of G) for the more melancholy verse. This section contains my favourite chord in the song (the juicy F9 in bar 14) and favourite note (the D on “staaaaaayyyy” at the start of bar 16).

    Bridge: Shifting to the key of E major. This time, it’s more abrupt, without a chord to smooth the transition. This is the trickiest part of the arrangement. Lots of barre chords and use of the g-string in the melody.

    Outro: A nice, simple jam of an ending. No need to even change the chord. It’s just G all the way through.

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