Ukulele Hunt

Tag: Tricky

  • Dean Martin – Sway (Tabs)

    Dean Martin – Sway (Tab)Download

    Sway aka Quién será? is best known to me for Dean Martin’s version. Although it seems like Michael Bublé’s is the most popular these days. Since Cris mentioned Dean Martin, it’s that version I worked from. Also, it’s the superior version.

    Intro: This is by far the hardest part of the song. There are a few runs, the most rapid of which comes in bar 7.

    Since it’s an intro, you have a lot of leeway to change things. The easiest option is to follow Buble’s version and create a variation of bars 13 – 16.

    Verse: Things get a lot simpler in the verse. It’s just switching between A7 and Dm with the melody sticking to the first three frets.

    Chorus: There’s a bit more going on in the chorus. More chords and a small journey up the neck. But nothing too challenging.

    Solo: The solo is based on the guitar solo in the Martin version. It’s very simple. Just the verse melody harmonised.

    Links

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  • Dolly Parton – 9 to 5 (Tabs)

    Dolly Parton – 9 to 5 (Tabs)Download

    I had to do a tribute to Dolly. Since I’ve already done Jolene and I Will Always Love You, 9 to 5 seemed like the obvious next choice.

    Intro: Give this part a little bit of palm muting (i.e. resting the underside of your strumming hand gently on the strings).

    Verse: I’m using strums here to give the melody plenty of propulsion. That means you have to mute the strings not being played. I use my thumb to mute the g-string. Then any finger I’m not using for fretting to mute the others.

    Chorus: The chorus moves up the neck. Which can make for some tricky fretting. The hardest part being the stretch up to the 12th fret in bar 20.

    Links

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  • Linkin Park/Evanescence – In the End/Bring Me to Life (Tabs)

    Linkin Park/Evanescence – In the End/Bring Me to Life (Tab)Download

    I decided to fulfil two requests at once since these two are the same song in my head. In the End is originally in Eb minor and Bring Me to Life is in Em. And they’re about 10 bpm apart. So it’s not a big challenge to combine them.

    Intro (In the End): A very simple riff to kick things off. But also very effective at setting up the harmony and vibe of the song. You can make your life easier by sliding up to the final note in bar 4 so your ring finger is free to play the following E note.

    Verse (Bring Me to Life): It’s hard to transfer rapping to the ukulele effectively. So I opted for the much more melodic verse from Bring Me to Life. The most challenging bits here are the quick notes at the start of bars 14 and 16. These mimic the chugging guitar in that section. But you can replace these with more relaxed chords if you prefer.

    Choruses: Exactly the same chords in both choruses. In the End‘s chorus is lower than Bring Me to Life, so I put that one first to create a build-up.

    Links

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  • Zelda Main Theme (Tabs)

    Koji Kondo – Zelda Main Theme (Tab)Download

    This one is short but very tricky. Even after slowing the tempo way down.

    A Section: This section has a big stretch in bar 2 and some quick alternate picking. But the biggest challenge is at the start of bar 3. You need a very quick change from your pinkie on the A-string in bar 2 to your middle finger at the start of bar 3.

    B Section: This starts with a fast run in bar 13, which is repeated in bar 14. The second time around, it’s played more quietly. I think of it as an echo. The next three bars are fiddly as they’re played high up the neck. This section ends with a chromatic descending line set against a D note.

    C Section: After the first two bars, this section is mercifully easy. There’s a lot of hopping up and down the neck. But there’s plenty of time to make those transitions.

    Links

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  • The Beatles – Help! (Tabs)

    The Beatles – Help! (Tab)Download

    Intro: This is the trickiest part of the song. You’ve got the thumb providing a descending bass line on the C-string. Meanwhile, the E and A-strings play the melody (plus one note on the g-string in bar 3).

    The guitar line that finishes the intro (bars 7-8) doesn’t fit well on the ukulele. So this arrangement is more in keeping with the vibe rather than the actual notes. Even so, it’s a bit of a stretch to play.

    Verse: Things ease off in the verse. Just use some alternating picking with your index and middle fingers on the A-string to get the notes up to speed.

    Chorus: This returns to the descending bass line idea from the intro. For the second chorus, I threw in a bit of the vocal harmony at the end of bar 41.

    Outro: A big jump up the neck to mimic the high harmonies.

    Links

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  • Bob Marley and the Wailers – Is This Love (Tabs)

    Bob Marley – Is This Love (Tab)Download

    There are some tricky sections to get to grips with here. The verses in particular have a few oddities that I hadn’t even noticed before trying to play the song.

    Intro: A great little riff in the intro. Well worth learning even if you’re not attempting the whole song.

    Verse: This is where you’ll find the oddities. In most of the verse, the Am7 chord lasts two bars. But in the opening verse, the first Am7 chord lasts only one bar.

    The second verse (bar 52) is even stranger. The first Am7 is just one bar. But the following F is extended to two bars. Then the second Am7 is also shortened to one bar.

    Chorus: The chorus is much more regular. Even so, the second set of “Is this love?”s is slightly different to the first.

    Bridge: Nothing too challenging here. Just be sure to keep the strummed Dm chords tight rather than letting them ring out.

    Links

    One Love tabs
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  • Scissor Sisters – Take Your Mama (Tabs) and Jurassic Park

    Scissor Sisters – Take Your Mama (Tab)Download

    Intro: Kicking off with strums and a lot of muting (just relax your fretting hand so the notes don’t ring).

    Verse: A quick campanela lead into the verse. From there, it’s all open chords and a compact melody. Just a long string of pull-offs in bars 13 and 15 to deal with.

    Pre-Chorus: An even longer stretch of campanela notes starting out the pre-chorus. All played on open strings. Even though the song is in C major, the minor third (Eb) crops up here. Giving it a bluesy feel.

    Chorus: The falsetto means a big jump up the neck. Other than that, it’s just bashing out chords all the way.

    Solo: The solo is only loosely based on the original. So you’re free to use your own ideas. For my take, I’m mostly noodling around the chords and throwing in some bends.

    Links

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    Jurassic Park (Tabs)

    Here’s a quick tab of the main section of the Jurassic Park theme in tribute to, enthusiastic uker, Sam Neill.

  • Cab Calloway – Minnie the Moocher (Tabs)

    Cab Calloway – Minnie the Moocher (Tab)Download

    Intro: I love the way the Em6 here gives the song a heavy, brooding feel. There are a couple of challenging bits here. First, the slide up to the 7th fret in bar 6. Second, the fast picking on the triplets in bar 10.

    Verse: The verses are nice and simple. If you like, you can use the Em6 here as well in place of the Em. I chose the Em here to make the harmony clearer to the listener.

    Chorus: It’s important to create as much contrast as possible between the call and the response here. So this arrangement has the call in single notes high on the neck. And the response is low on the neck and in a chord.

    Double Time Chorus: This section is a burst of anarchy in the song. It’s also the most difficult to play. So I embraced the chaos and did whatever I felt like in this section.

    Outro: A very effective descending chord run to end on.

    Links

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  • Pink Floyd – Time (Tabs)

    Pink Floyd – Time (Tab)Download

    Pink Floyd’s Time is a real epic so I’ve done the most un-Pink Floyd thing of all time and shortened the song by trimming the solo and cutting out the more atmospheric parts.

    Intro: Starting off with the ticking sound. Made by muting the strings high up the neck and plucking close to the bridge. Then a lick to lead into the verse.

    Verse: This section is forceful and confrontational so keep the chords short and stabby.

    Chorus: The chorus switches from the brooding G minor section to a blissed out Ebmaj7. Let the chords ring out in this section to match the mood.

    Solo: I’ve changed this considerably from the original. So feel free to make changes for your version. I’m using the G minor pentatonic for the solo plus the occasional A note.

    Outro: The outro throws in a few curve balls. It throws in a Gb and modulates to Bb. Then ending on a glum sounding Ebm – E – Cm.

    Links

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  • R.E.M. – Shiny Happy People (Tabs)

    R.E.M. – Shiny Happy People (Tab)Download

    It’s crazy it’s taken me this long to cover R.E.M.’s Shiny Happy People given how perfectly it captures my personality.

    Intro: For such a light-hearted song, there’s a bunch going on musically. There are three key changes and a change of time signature before the vocals kick in.

    The song starts in 6/8 time in the key of G# (G in the original) for a relaxed intro before it kicks into 4/4 in bar 4. That shifts into the riff in the key of Bb. The riff is very fun to play. Worth learning even if you’re not bothering with the rest of it.

    Verse: The verse moves into the key of G minor. A less abrupt key change since Gm is the relative minor of Bb. The verse bounces up and down the fretboard. But it’s not too challenging to play.

    Chorus: Things are a bit more difficult in the chorus with the three, slightly overlapping, voices covering a large range.

    Outro: This is made up of the main riff and Kate Pierson’s “Happy peeepooooooole” bit. There’s room to play around with the chorus melody here if you fancy stretching out a bit.

    Links

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