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  • Radiohead – Karma Police (Tabs)

    I’ve written up quite a few Radiohead songs in the past. Now it’s time for the OK Computer track Karma Police.

    Intro: Mostly picking out the chords with the thumb on the C-string and the middle and index on the E and A, respectively.

    On the Eb chord there’s a nice addition of an F note making it an Ebsus2. To prepare for the change to that, fret the E-string, third fret in the first half of the bar with your little finger.

    Verse: Sticking with the same picking for the verse. The only slightly tricky part here is the run down from the fifth fret in bar 12.

    Bridge: I’m mostly using one-finger-per-string picking in this section until the last two bars. There’s a lot more moving around the neck in this section, with the transition between bars 17 and 18 being tricky (I flubbed that bit in the video). Which is the most Radioheady part of the song.

    Chorus: Even more moving around here, but it’s less intense.

    Solo: The solo takes its inspiration from the bass line. There’s lots of scope for your own ideas here.

    After that, it’s another run through the chorus and a fade out with a little of Freakshow Industries’ Backmask added.

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  • The White Stripes – We’re Going to Be Friends (Tabs)

    Following on from These Days with another Cotten-picking arrangement: a rare White Stripes acoustic song We’re Going to Be Friends. But this is easier than These Days as the thumb alternating between the g- and C-strings through the whole song.

    The melody is very simple and repetitive almost like a nursery rhyme. But there are slight variations between the verses that you need to include to create at least a little variety.

    The only big variation comes in the bridge section where they go far out and include a fourth chord. But you’re still picking the same basic patterns.

    For a quick bonus, here’s another ditty Conan uses on his podcast arranged for low-G uke:

    Links

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  • TLC – Waterfalls (Tabs)

    Here’s my attempt at TLC’s heartbreaking tale of Jason Waterfalls.

    The intro is by far the trickiest part of the song. There are a bunch of chord stabs and some tasty licks.

    The melody line is exceptionally straight-forward and easy to play. The only interesting part is the bluesy “Listen to me” at the end of the verse (bar 28). And I’ve thrown in a couple of licks inspired by the bass in bar 20 and at the end of the choruses.

    Links

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