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  • Dolly Parton – 9 to 5 (Tabs)

    Dolly Parton – 9 to 5 (Tabs)Download

    I had to do a tribute to Dolly. Since I’ve already done Jolene and I Will Always Love You, 9 to 5 seemed like the obvious next choice.

    Intro: Give this part a little bit of palm muting (i.e. resting the underside of your strumming hand gently on the strings).

    Verse: I’m using strums here to give the melody plenty of propulsion. That means you have to mute the strings not being played. I use my thumb to mute the g-string. Then any finger I’m not using for fretting to mute the others.

    Chorus: The chorus moves up the neck. Which can make for some tricky fretting. The hardest part being the stretch up to the 12th fret in bar 20.

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  • Linkin Park/Evanescence – In the End/Bring Me to Life (Tabs)

    Linkin Park/Evanescence – In the End/Bring Me to Life (Tab)Download

    I decided to fulfil two requests at once since these two are the same song in my head. In the End is originally in Eb minor and Bring Me to Life is in Em. And they’re about 10 bpm apart. So it’s not a big challenge to combine them.

    Intro (In the End): A very simple riff to kick things off. But also very effective at setting up the harmony and vibe of the song. You can make your life easier by sliding up to the final note in bar 4 so your ring finger is free to play the following E note.

    Verse (Bring Me to Life): It’s hard to transfer rapping to the ukulele effectively. So I opted for the much more melodic verse from Bring Me to Life. The most challenging bits here are the quick notes at the start of bars 14 and 16. These mimic the chugging guitar in that section. But you can replace these with more relaxed chords if you prefer.

    Choruses: Exactly the same chords in both choruses. In the End‘s chorus is lower than Bring Me to Life, so I put that one first to create a build-up.

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  • Thanks to Patreons

    A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month.

    If you join Patreon at the Concert level or higher, you’ll get access to all 79 previous exclusive tabs including August’s: The Girl From Ipanema by Antônio Carlos Jobim

    And extra thanks to August’s Tenor level backers:

    • Alice
    • Arthur Foley
    • Brian 
    • DanD
    • Dennis Boutsikaris
    • Elizabeth Beardsley
    • Ely Fletcher
    • Ivo
    • Jeff K
    • Jon Kenniston
    • Kelby Green
    • Leia-lee Doran
    • Margit Stadlmann
    • Mary
    • michael tabor
    • Noah
    • Pat Weikle
    • Pauline LeBlanc
    • Rick Wurster
    • Robert
    • Steven Pituch

  • The Kinks – You Really Got Me (Tabs)

    The Kinks – You Really Got Me (Tab)Download

    Verses: You Really Got Me is a straightforward basher. The biggest challenge is stamina. You’re doing heavy strumming through almost the whole thing. The only respite you get is the G chord at the end of the verses.

    The other challenge is making sure only the notes you want ring out when you’re strumming. That means muting the g-string with your thumb and the other strings with any fingers you have free.

    Solo: The solo is played by fingerpicking. It’s massively cut down from the original. You could expand it back into a full solo. But you’d need to find a way to beef it up.

    Links

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  • Zelda Main Theme (Tabs)

    Koji Kondo – Zelda Main Theme (Tab)Download

    This one is short but very tricky. Even after slowing the tempo way down.

    A Section: This section has a big stretch in bar 2 and some quick alternate picking. But the biggest challenge is at the start of bar 3. You need a very quick change from your pinkie on the A-string in bar 2 to your middle finger at the start of bar 3.

    B Section: This starts with a fast run in bar 13, which is repeated in bar 14. The second time around, it’s played more quietly. I think of it as an echo. The next three bars are fiddly as they’re played high up the neck. This section ends with a chromatic descending line set against a D note.

    C Section: After the first two bars, this section is mercifully easy. There’s a lot of hopping up and down the neck. But there’s plenty of time to make those transitions.

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  • The Ronettes – Be My Baby (Tabs)

    The Ronettes – Be My Baby (Tab)Download

    This one is very simple. It’s all beginner chords and nothing higher than the first position.

    Intro: This uses palm muting on the strings. Just rest the underside of your picking hand on the bridge just enough to mute the strings. Then strum right at the bridge while the strings are muted by the fretting hand.

    If you don’t fancy this bit, you can go straight into the verse. You can also skip the same section in bars 27 and 28.

    Verse: This is almost all played with one-finger-per-string picking. There are just a few strums thrown in. Which is the case for the rest of the song.

    Pre-Chorus: This introduces some melody notes on the g-string in bars 11, 12 and 13.

    Chorus: A little trickier than the other sections, as it has overlapping vocals. Rather than do anything fancy, the arrangement just switches to the new vocal line when it comes in.

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  • The Beatles – Help! (Tabs)

    The Beatles – Help! (Tab)Download

    Intro: This is the trickiest part of the song. You’ve got the thumb providing a descending bass line on the C-string. Meanwhile, the E and A-strings play the melody (plus one note on the g-string in bar 3).

    The guitar line that finishes the intro (bars 7-8) doesn’t fit well on the ukulele. So this arrangement is more in keeping with the vibe rather than the actual notes. Even so, it’s a bit of a stretch to play.

    Verse: Things ease off in the verse. Just use some alternating picking with your index and middle fingers on the A-string to get the notes up to speed.

    Chorus: This returns to the descending bass line idea from the intro. For the second chorus, I threw in a bit of the vocal harmony at the end of bar 41.

    Outro: A big jump up the neck to mimic the high harmonies.

    Links

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  • Thanks to Patreons

    A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month.

    If you join Patreon at the Concert level or higher, you’ll get access to all 78 previous exclusive tabs including July’s: Rhiannon by Fleetwood Mac.

    And extra thanks to July’s Tenor level backers:

    • Arthur Foley
    • Brian 
    • Colin
    • DanD
    • Dennis Boutsikaris
    • Elizabeth Beardsley
    • Ely Fletcher
    • Eric Sweet
    • Ivo
    • Jeff K
    • Jon Kenniston
    • Kelby Green
    • Leia-lee Doran
    • Margit Stadlmann
    • Mary
    • michael tabor
    • Noah
    • Pat Weikle
    • Pauline LeBlanc
    • Rick Wurster
    • Robert
    • Steven Pituch

  • Bob Marley and the Wailers – Is This Love (Tabs)

    Bob Marley – Is This Love (Tab)Download

    There are some tricky sections to get to grips with here. The verses in particular have a few oddities that I hadn’t even noticed before trying to play the song.

    Intro: A great little riff in the intro. Well worth learning even if you’re not attempting the whole song.

    Verse: This is where you’ll find the oddities. In most of the verse, the Am7 chord lasts two bars. But in the opening verse, the first Am7 chord lasts only one bar.

    The second verse (bar 52) is even stranger. The first Am7 is just one bar. But the following F is extended to two bars. Then the second Am7 is also shortened to one bar.

    Chorus: The chorus is much more regular. Even so, the second set of “Is this love?”s is slightly different to the first.

    Bridge: Nothing too challenging here. Just be sure to keep the strummed Dm chords tight rather than letting them ring out.

    Links

    One Love tabs
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  • Patti Smith – Because the Night (Tabs)

    Patti Smith – Because the Night (Tab)Download

    Intro: The intro is the most challenging part to get down. But it’s a nifty picking pattern that could come in useful in many places. So it’s well worth learning.

    Verse: The fingerpicked verse is simple. Just a bit of sliding around to deal with.

    Pre-Chorus: Switch to using strums to build into the chorus. The biggest problem I had here was memorising the chords. They shift around rather than repeating exactly.

    Chorus: The chorus is fun to play. You can really bash out the chords.

    This arrangement uses just the end of the guitar solo from the original (bars 31 and 32) to build into the bridge.

    Bridge: More chord bashing in the bridge. The song’s Springsteen origin really becomes obvious here.

    Links

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