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  • David Bowie – Space Oddity (Tabs)

    David Bowie – Space Oddity (Tab)Download

    I’ve used some artificial harmonics in the intro because they’re the spaciest sound you can get on a ukulele. But you can play this section without them and it won’t be a problem. Or you could come up with your own intro.

    The first verse is the simplest part of the song. Then comes the “Lift Off” section. Pretty much any rising figure will work here. You can go as simple as grabbing a note and sliding up the neck. I took the opportunity to have a bit of fun with effects.

    The second verse is more much of a challenge. There are a lot of moves up and down the neck and a few finger-twisting bits. On the upside, it has the strange change from F major to F minor that mirrors the shift in the song from triumph to tragedy.

    After some quick chord changes, the solo starts up. I’ve stayed fairly close to the original here. Just adapting bits for uke. But I couldn’t resist throwing in a Day Tripper reference on the A chord (bar 44) as the original comes so close to it.

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  • Roy Orbison – Crying (Tabs)

    Roy Orbison – Crying (Tab)Download

    Here’s a version of Roy Orbison’s Crying. Which Rolling Stone declared the 69th greatest song of all time. Nice.

    Roy Orbison’s unmistakeable falsetto is in full effect in this song. So the big challenge here is jumping up and now the neck accurately.

    In the second chorus, the melody goes all the way up to the 15th fret. If you can’t access that fret on your uke, you can just play it the same as the first chorus. Or, if you really want to go for it, you could use artificial harmonics.

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  • Portishead – Glory Box (Tabs)

    Portishead – Glory Box (Tab)Download

    The song is built around a sample of Ike’s Rap by Isaac Hayes (the same sample used in Tricky’s Hell is Round the Corner). So the whole song is on an Em chord (Ebm in the original) with descending bass notes on the C-string of E, D, C#, C.

    By far the hardest part of the arrangement is the artificial harmonics in bars 21-22 (“A thousand flowers could bloom”) played at the same time as the bass notes. If, like me, you struggle with that bit, you can ignore the harmonics all together and just play it as written.

    The solo starts off like the original but I go off on my own from there. I suggest you do the same. I’m using notes from the melody plus a Bb (A-string, 1st fret) that lends some gritty dissonance to the solo.

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  • The Beatles – Till There Was You (Tabs)

    The Beatles – Till There Was You (Tab)Download

    Till There Was You was originally recorded by Meredith Wilson. But, of course, is much better known by The Beatles’ cover.

    This arrangement is heavily based on The Beatles’ version but is closer to the tempo of the original. I’ve taken a few liberties including adding my own intro and solo. Feel free to do the same for your version.

    I recommend one finger per string picking for everything but the solo. I just used whatever falls under my fingers in that section.

    There are a few fancy chords in the arrangement. Including my favourite chord: C7(#5). C7 is already an unsettled chord and adding that #5 creates even more tension that is released when you move back to the F chord.

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  • Sufjan Stevens – Casimir Pulaski Day (Tabs)

    Sufjan Stevens – Casimir Pulaski Day (Tab)Download

    Here’s my take on, part-time uker and full time Belieber, Sufjan Stevens’s heartbreaking Casimir Pulaski Day. I also love Mikaela Davis’s harp cover, so a bit of that has snuck into the arrangement too.

    The song gets much of its power from being blunt and straightforward. So I’ve kept the arrangement stark and tried to play it directly without too much emotion.

    The picking is mostly thumb on the g- and C-strings and the index and middle on E and A respectively. The big exception is the rapid notes on the C-string at the end of each stanza e.g. bars 9 and 17. For those, I recommend using alternate picking as it’s too quick to comfortably play with your thumb.

    The other big exception is the trumpet solo, where I switch to strumming to give things a lift.

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    Tab for Sufjan’s Death with Dignity

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  • Guns N’ Roses – Patience (Tabs)

    Guns N’ Roses – Patience (Tab)Download

    Guns N’ Roses – Patience (Tab)

    While not quite in the league of November Rain, Guns N’ Roses’ acoustic lighter-swayer Patience is still a bit of an epic. So for this arrangement I’ve trimmed down the intro and outro and skipped the repeat of the verse and chorus.

    The intro follows Axl’s whistling for the first four bars before playing the first solo section. Just a bit of bending to deal with here.

    The main solo section starts in bar 28 with some sliding around. My favourite part is the lick in bar 32-33. I wasn’t sure if this bit was going to work on uke, but it ends up fitting neatly.

    Things switch up in bar 39 for the outro with some loose strumming and a fun sliding solo section.

    I found the melody in the outro (from bar 47 on) tricky to arrange. Usually, you’d have a G note over the G chord somewhere. But the melody sticks with the F# (E-string second fret) and A notes from the D chord. That makes it hard to pull out the chord changes in this section clearly. But if you keep the chord changes clear in your head you should navigate it okay.

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    My tabs of Sweet Child O Mine and November Rain are both on the Uke Hunt Patreon for concert level backers and up.

  • Travis – Why Does It Always Rain on Me? (Tabs)

    Travis – Why Does It Always Rain on Me? (Tab)Download

    It’s always fascinating to see how bands deal with the death of musical fads and Travis are a prime example of it. Their debut album Good Feeling was full of Oasis-y rockers about good times and picking up girls. Which would have flown off the shelves if it had been released in the Britpop era rather than in 1997, the year Radiohead killed off the genre with OK Computer. After the lukewarm success of the album, they shamelessly reworked themselves into a Radiofriendlyhead sounding band on The Man Who (even slagging off Wonderwall on the first verse of the album) and had a breakthrough Why Does It Always Rain On Me?. Setting the scene for Coldplay who released their debut a year later.

    The chords for this one are very easy. The only challenge is some rapid picking (which you’ll need to do some alternate picking) and pull-offs.

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  • R.E.M. – Losing My Religion (Tabs)

    R.E.M. – Losing My Religion (Tab)Download

    The opening riff for REM’s Losing My Religion is a blast to play and fits nicely on the uke. I particularly like the riff on the G chord leading into the verse which I play campanella style.

    At first, I was playing the chords with strums. But I switched to fingerpicking for a couple of reasons. Firstly, it makes the chords sharper and more mandolin-like. Secondly, it means you can keep the chords very short (by immediately stopping the strings ringing with your picking fingers) making the sound punchier. Even so, strumming is a perfectly legitimate way to go and lends the tune a different feel.

    Things get a lot more miserable once Stipe turns up. I mostly play the verses and choruses with one finger per string picking. You can be fairly loose with these sections and don’t need to play everything note for note.

    My second favourite part is the riff right at the end. It’s ultra simple but very effective. Well worth learning even if you don’t bother with the rest of the song as it’ll fit in many situations.

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  • Louis Armstrong/Sam Cooke – What a Wonderful World/Wonderful World (Tab)

    Louis Armstrong/Sam Cooke – What a Wonderful World/Wonderful World (Tab)Download

    A pairing of two almost identically titled songs: Sam Cooke’s Wonderful World and Louis Armstrong’s What a Wonderful World. One because of a Patreon request and the other in tribute to Maple the guitar dog.

    The arrangement starts with the beautiful melody of What a Wonderful World. Nothing too difficult here. Be sure to make the melody notes stand out against the backing note. And prepare for bar 13 by barreing across the strings for the notes on the E-string, 1st fret in bar 12.

    Things speed up for Wonderful World but the chords get simpler. I must have heard this song hundreds of times, but I didn’t have any recollection of the bridge section. It’s certainly more forgettable than the earworm of the verse and chorus.

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  • Beyonce – Halo (Tabs)

    Beyonce – Halo (Tab)Download

    My favourite part of Halo to play is the intro. It fits so nicely on the uke I decided to use it as the outro too. Things stay fairly straightforward to play in the verse. All that is played with one finger per string picking.

    But in the bridge and chorus Beyonce stretches her vocal range which means a trip up the neck. The arrangement goes as high as the 14th fret where it’s tough to play cleanly. You’ll also need to pick more forcefully so to keep the volume of the note at the same level as notes lower on the neck.

    The picking in the rest of the song is more haphazard. For the quick notes, I’m using alternate picking to keep up.

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