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  • Beethoven – Ode to Joy (Tab)

    I’ve already tabbed Ode to Joy twice: a dead easy strumming version and the UOGB’s group version. This third and final tab is a fuller solo version.

    For this piece Beethoven nicked Nirvana’s loud-quiet-loud-quiet… trick. So I use strumming for the loud bits and picking for the quiet bits.

    In the open section I strum down for the first note in the bar then flick up with my index finger for the rest. I’ve tabbed all four notes for those flicks but it’s not a big deal whether you hit the top two, three or all four strings. Bars 4 and 8 are slightly different with two down strums and a single picked note.

    I switch to picking for the softer section in bars 9-12 before returning to bombastic strumming. Repeat that section and you’re done.

    If you want more tabs like this you might like my Classical Ukulele ebook with ukulele-style arrangements of classical tunes.

    More classical tabs
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  • Radiohead – No Surprises (Tab)

    I may have to return to OK Computer for another tabbing or two. Every song on the record is incredible. But No Surprises stuck out as the one that’s prime for a ukeing.

    In this arrangement I’ve tried to keep the fingerpicking riff going under the melody. Which works out pretty well for the most part. But you really do have to make sure you emphasise the melody notes or they can very easily get lost in the picking.

    Towards the end I switch towards strumming. To make the melody easy to see I’ve tabbed up the backing strums as just being on the g, C and E strings. But it’s not a big deal if you hit all the strings.

    Links

    Buy it on iTunes
    More Radiohead tabs and chords

  • What it Takes to be a Good Ukulele Group Leader

    A guest post today from Joshua Waldman. As well as leading the Tigard Ukulele Group he has just released a book How to Start and Grow a Ukulele Group (available in digital and paper form (affiliate links)). It’s by far the most comprehensive and inspiring I know of. Highly recommended if you’re starting or running a ukulele group.

    When I started the Tigard Ukulele Group (TUG), I had no interest in leadership. I work for myself in a home office. My business is online and I don’t have a team to manage, nor do I have a boss to worry about. I’m not trying to be a better boss or climb some corporate ladder. What does leadership have to do with me?

    Turns out, I found an answer to that question very quickly! Running an ukulele group has been one of the greatest personal growth journeys I’ve ever undertaken.

    What I learned is that being a leader requires you to find your self-confidence, own the room, make decisions and take risks. It also means potentially making public mistakes and embarrassing yourself. But it also means being someone that others can rely on, being the beacon that guides people, of taking the initiative on fun and inspiring projects.

    You make the call

    When I first started TUG, we went around in a song circle. Everyone brought their own songs and some extra copies to pass around. This worked fine for the first few weeks and when we had around seven people in my living room. However, as we grew, the song circle format fell apart. Songs bombed. We ran out of music to play.
    So the next time we met, I told them what we were playing. “Here’s our song list.” I remember feeling totally surprised that everyone agreed to this. Looking back, this makes sense, they came to play music, not lead a group. That was my job. Even now, at potlucks and parties, when I ask the group what they want to play they look back at me and say, you tell us, we’ll follow.

    A few years ago, we were preparing for our very first concert and used our jam sessions to practice songs on our setlist. Our focus was to get into songs and out of songs at the same time. For weeks, we played the same songs over and over again. The concert happened. It went great! And I kept up the practice of repeating songs that needed more work.

    After a while of this new format, I checked in with the group to see if they were getting tired of this. To my surprise, everyone really appreciated it. This format continued naturally, even after the concert. In fact, to this day, if a song could have gone better, and I’m about to flip to the next one, members will ask to repeat it, “just one more time.”

    You are the leader of your group. You make the calls. Stop looking for approval or consensus. It’s not you imposing your will on others. It’s you offering others the chance to relax and just follow along. Leadership is service to others.

    Own your mistakes

    We were working on a difficult and highly orchestrated song at TUG one time when a longtime member who hadn’t been for a while showed up. She hadn’t been there the previous two weeks while we were working on this. When she raised her hand and offered some suggestions that would have radically changed what we’d been doing for weeks, I shut her down. “It is the way it is. No more changes,” I said and then watched as she shut down, stopped playing and her body folded in on itself.

    I immediately realized my mistake, having gotten so intensely focused on getting the song right that I forgot that we were there to have fun! After the session, I went up to her and apologized. Although she shook it off, said it was no problem and changed the subject, I could tell she appreciated the apology.
    Leadership isn’t always easy. But it does make you a better human being as long as you learn from your mistakes.
    What I learned from leadership

    What I learned is that leadership is a very personal journey. It’s a mirror for your own limiting beliefs, low self-esteem, self-doubt and fears. One of the greatest benefits of having started this group has been the chance to face these parts of myself and deal with them and then grow as a person.

    Leadership is an interesting thing. In an age that seems to value collaboration and groupthink as ultimate ideals, apparent leadership seems to be based on how rich you are or how many likes you get on social media posts. I think this is a sad waste. Everyone has leadership potential. Despite our media, human nature is human nature, and groups of humans seek out a leader to represent them. The world isn’t run on consensus or on who has the most likes.

    Joshua Waldman is the founder of Tigard Ukulele Group and had just published a book called, How to Start an Ukulele Group where you can find more stories and thoughts on ukulele group leadership.

  • alt-J – Fitzpleasure (Tab)

    There’s a new alt-J album out. And very good it is too. To celebrate here’s a tab of my favourite alt-J song Fitzpleasure.

    There’s a lot going on in this song (as with most alt-J songs). At first I thought I’d have to use multiple ukes to do it. But the melody, chords and riffs are all so strong and elegant they ended up working pretty well on just one uke. The only major part I had to cut was in the, “steepled fingers…” section. The descending riff in bars 59 and 60 should carry though there but I had to switch to chords to carry it off.

    I use a capo on the second fret for my version. But that’s only because it makes it in the original key so it was easy for working it out. You can play it without the capo without causing any problems.

    Links

    Buy it on iTunes
    alt-J – Ripe and Ruin (Tab)

  • Old Crow Medicine Show – Wagon Wheel (Tab and Chords)

    What a brilliant song. And one that’s very popular with uke groups. It started life as a half-written Bob Dylan song called Rock Me, Mama before OCMS finished it up and launched their career with it. It’s been covered many times since with Darius Rucker‘s being the most popular.

    Like the original, I’m using a capo on the second fret. It’s not essential but it does make the chords much easier and avoids the dreaded E chord.

    Suggested Strumming

    You can use this simple pattern all the way through:

    d – d – d u d u

    Use that once for every chord until the last C in the progression where you play it twice.

    Here’s how it sounds:

    Twiddley Bits

    Here’s an arrangement of the violin part in the intro (which starts four bars into the song). Again, there’s a capo on the second fret.

    The example finishes up with the violin lick in the outro.

    Links

    More 90s tabs
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  • Nancy Sinatra – Bang Bang (Tab)

    It wasn’t until embarrassingly recently that I found out Bang Bang was written by Sonny Bono and first recorded by Cher. But it’s the sparse and haunting Nancy Sinatra version that is the most famous. But I don’t think any cover has eclipsed the original since Oasis’s version of Mike Flowers Pops’ Wonderwall

    For my version, I’ve taken cues heavily from the Sinatra version. Keeping the timing and the phrasing very loose.

    In the tab there are a few repeat symbols you’re unfamiliar with. The first repeat comes at the end of bar 16 with the familiar double bar and dots. That sends you back to bar 5. From there you play through to bar 20 where it says D.S. al Fine (Da Segno al Fine). That sends you back to the squiggle at bar 5 and tells you to stop where it says Fine in bar 16.

    Links

    Buy it on iTunes

    More 90s tabs
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  • alt-J – Interlude I (Ripe and Ruin) (Tab)

    alt-J’s new track 3WW has me very excited for the new album. In preparation I thought I’d have a go at Ripe & Ruin from their debut album.

    Ripe & Ruin is an acappella duet (the good kind of acappella where everyone sings words and no one is doing cheesy beatboxing). But I’ve taken some liberties with the arrangement having anything between one and three notes at a time.

    The only tricky part of the arrangement is the rapid jump up the neck in bar 24. Otherwise it’s pretty straightforward so you can concentrate on varying the dynamics.

    Links

    Buy it on iTunes

    More alt-J tabs
    Uke Hunt Patreon

  • Beach Boys – Sloop John B (Tab)

    Following on from Good Vibrations, another Pet Sound with bass from Lyle Ritz. Sloop John B is a traditional Bahamian song. The earliest version was recorded in Nassau in 1935 under the title Histe Up the John B Sails. There are many lyrical variations. My favourite being the the verse in Blind Blake’s version (the Bahamian one rather than the American blues guy) about having to go home because his pants burst.

    This arrangement starts off with that shimmering guitar riff from the Beach Boy’s version. And I keep interlacing this riff with the melody throughout. Be sure to play this softer than the melody so the two don’t get confused.

    The verse is all fingerpicked with the melody mostly on the E- and A-strings with some lower notes on the C-string to keep the rhythm going. To give the chorus a bump I play the melody with strums. That means you have to switch between strumming and picking. Which can be tricky. If you need a bit more time to switch you can miss out a note or two of the backing without losing anything important.

    Links

    Buy the Beach Boys version
    More Beach Boys tabs

  • Bon Iver – 00000 Million (Tab)

    A new Bon Iver album means a new Bon Iver post. It’s another great record. This time with very strange song titles. 00000 Million immediately struck me as being great for ukeing with its strong melody and simple chords. And it does transfer well. It even works out nicely in the original key.

    It wouldn’t be Bon Iver without a bit of weirdness. And this song’s weirdness is changes in the time signature. Bar two switches to 5/4 time (i.e. there’s an extra note in that bar). And there’s a bar of 2/4 leading into the Fionn Regan sample. But these fit so naturally into the song that if you know the melody well you won’t have any problems with timing.

    The brackets around some of the notes indicate they are played softly (they’re backing notes rather than part of the melody).

    Links

    Buy it on iTunes
    More folk tabs
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  • Fawlty Towers and Steptoe and Son (Tab)

    A double bill of classic British comedy themes today. Starting with the Fawlty Towers them by Dennis Wison. Not the Manson loving Beach Boy. The composer of music for many British sitcoms including Till Death Us Do Part and Rising Damp.

    My arrangement has two parts: the lead part in standard tuning and a baritone part playing the backing. I’m having fun with this set up at the moment so don’t be too surprised if you see more of it.

    Baritone Backing

    The backing is mostly arpeggios with a couple of runs thrown in. Here’s a recording of just the backing if you want to play along. The metronome taps out a full bar for the intro and you start playing on the third beat of the second bar.


    Backing MP3

    Steptoe and Son

    Dennis Wilson also wrote music for Steptoe But the theme tune, called Old Ned, was by Ron Grainer. Most famous for the Doctor Who theme. I was prompted to put together this short version by the recent death of the Simpson half of Galton and Simpson who created the show.

    Steptoe, of course, was transferred across the Atlantic and became Sanford and Son. You can find the tab for that theme here.

    Links

    Buy Fawlty Towers Theme
    Buy the Steptoe Theme
    More TV theme tabs