Tag: 90s

  • Blink-182 – All the Small Things (Tabs)

    Here’s a fun version of Blink-182’s infectious (in the good sense and the bad sense) earworm All the Small Things.

    Intro: All strums. I’m using my index finger a bit like a pick here (and in most of the song).

    For all the strumming parts in the song, don’t worry about hitting the exact strings so long as you’re holding down the chord.

    Verses: I’m using a bit of palm muting on the strings during the strums (i.e. resting the side of my strumming hand lightly on the strings). That allows the melody to stand out more.

    The only tricky part here is in bar 17. I like the harmony on “At my show” so I’ve included that with the lower note picked by the thumb and the higher note by the index finger.

    Pre-Chorus, Chorus and Outro: All very simple strumming on standard chords.

    Solo: Similar to the intro but with a little melody on the g-string. So try to emphasise that as much as you can.

    Break: Starts of with strumming then switches to fingerpicking which builds into the outro. The picking isn’t complicated but it is fast. If you’re only it for the strumming, you can skip this bit entirely and just play the first four bars of the break.

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  • Ozzy Osbourne – Mama I’m Coming Home (Tabs)

    Intro: Starting off with an incongruous country lick. Then moving into a descending line played on the g- and C-strings with the thumb. Set against static notes on the E- and A-strings (plucked by the index and middle fingers respectively).

    It fits nicely on the uke and sounds more intricate than it actually is.

    Verse: Carrying on the descending line but now played with one finger per string picking.

    Pre-Chorus: Building up the tension with a strum each time there’s a chord change.

    Chorus: Bringing in more strums, slides and ventures up the neck. Stepping things up in terms of intensity and difficulty.

    Break: This little acoustic break is my favourite part to play. It’s a challenge to play at speed but it suits the ukulele very well.

    Solo: The big electric solo is less suited to the uke but still fun to play. I haven’t been particularly faithful to the original, so feel free to adjust it to your own taste.

    Coda: The coda is just like the end of the chorus, but there are an extra couple of beats on the F chord that add a little suspense.

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  • The Smashing Pumpkins – Cherub Rock (Tabs)

    At first, I thought there’s no way Cherub Rock would work on the uke. But I found it a fun song to play that you can blast out with strums.

    Intro: Starting out at full pelt building up a C chord and breaking into the intro riff.

    If you don’t have the space on your uke to play the riff high up the neck, you can move the E-string notes on the A-string. Just lower each note five frets and let the E-string ring open. You can do the same with the melody in the verse.

    Verse: Staying high up the neck for the verse and continuing to blast out the strums with just a few picked notes.

    Chorus: All strums here too. Be sure to mute the g-string with your thumb for everything but the Eb chord.

    Bridge: Adding a C chord to the chord progression from the chorus.

    Solo: The trickiest part of the song. I’ve changed it significantly from the original. So feel free to make adjustments of your own.

    Bridge 2: Similar to the chorus, but watch out for the A-string, 5th fret at the start of the F chord (first in bar 39).

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  • Foo Fighters – Learn to Fly (Tabs)

    As you expect from the Foos, Learn to Fly is a straightforward rocker. So a lot of strumming and nothing too intricate.

    The trickiest part comes in some of the quick switches from G to Dm. One of these shows up for the first time in bar 5. Here there’s an open-G used as part of the melody to give you a little extra time to change chords. The second comes in the chorus (at the end of bar 13). Here you strum all the strings open and hammer-on an entire Dm chord.

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  • Pixies – Here Comes Your Man (Tabs)

    ntro: The classic Here Comes Your Man riff. Played with a few extra supporting notes to beef it up.

    Verse: Nothing too challenging here. Just open chords until the build up into the pre-chorus.

    Pre-Chorus: Bars 24-25 are the trickiest part of the song. There’s a big leap up to a bend at the tenth fret for the, “so long, so long,” backing vocals. That makes for an easier transition into bar 25.

    Chorus: Back to the riff mixed in with the melody. There’s plenty of jumping up and down here but I find this section fun to play.

    First Solo: A nice little melody for the transition back to the verse.

    Second Solo: Much less melodic. The original is mostly bashing out chords with a few bends. For this take, I’ve shortened it down but there’s still a lot of bashing.

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  • Placebo – Pure Morning (Tabs)

    Placebo’s Pure Morning is hilariously unsuited the ukulele. But it’s always fun to have a go at those. You can decide for yourself whether it actually works because I’m not sure.

    There’s no chord progression at all in the song. It’s just an E drone the whole way through (Eb in the original). To emphasise that, I’m playing an E on both the open E-string and on the C-string 4th fret whenever I get the chance.

    As the song builds, the arrangement moves up the neck and uses some octaves. If you don’t have a 14th fret, you can always just mute the A-string. Or playing it open will work.

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  • Nirvana – All Apologies (Tabs)

    Sinead O’Connor’s cover prompted me to knock up a quick version of Nirvana’s All Apologies.

    Intro: It’s a fun riff to noodle away on. I recommend learning this bit even if you don’t learn the whole song. (Put a capo on the first fret to play along with the original.)

    Verse: The intro and verse are all fingerpicked with thumb on the C-string, index on the E and middle on the A. The verses are very repetitive, so I cut the second verse down to half. You might want to do the same with the first verse too.

    Chorus: Like every Nirvana song, there’s a quiet-loud-quiet-loud dynamic going on. So switch to strumming and bash out the chorus.

    Outro: The riff again. This time played with a bit more abandon and hitting the open C-string any time you feel like. Then a dead simple ending.

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  • Green Day – Good Riddance (Tabs)

    This arrangement of Green Day’s Good Riddance is played with fingerpicking the whole way through (one finger per string picking style). I love the way the intro sounds played that way and fingerpicking brings out the melody.

    But I originally arranged it strumming so it’s closer to the original and it works well. Plus it’s easier to play that way. So you have my full permission to play it that way (not that you need it).

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  • Green Day – Basket Case (Tabs)

    It’s a very simple song. Other than bars 27-28, it’s all first position beginner chords and a straightforward melody. The only thing that makes it difficult is the tempo. So be sure to practice slowly and gradually build up speed.

    One slight oddity comes in bars 6 and 15. Here there’s a hammer-on on the C-string from a note way back in the previous bar. I do this to create a subtle change to the G chord in order to emphasise the much stronger second note in the bar.

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  • Nirvana – Heart-Shaped Box (Tabs)

    Nirvana’s ever-present quiet-loud-quit-loud dynamics are in full effect on Heart-Shaped Box. So using fingerpicking for the quiet bits and strumming for the loud bits is a must in this arrangement.

    All the picking is one-finger-per-string style. That means you’re picking consecutive notes on g- and C-strings (e.g. in bar 5). I’d usually avoid that as it’s less natural than using thumb then index finger. But it works out much better for the rest of the verse.

    There are a whole bunch of bends in the song. The trickiest of them are in the chorus where you’re playing chords on the 2nd/3rd fret then bending at the 9th fret. You’re also bending whilst fretting the C-string for an extra challenge.

    On the upside, the bends sound better if they’re a little out of tune so you don’t have to worry too much about that.

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