It’s impossible to get away from this song around this time. And this blog isn’t going to give you any respite. But it has been 10 years since I posted the chords so it’s about time for the tabs.
This arrangement starts off with pretty simple with a loose fingerpicking arrangement. After that it’s strummed with a few notes picked and a lot of string muting until a return to fingerpicking right at the end.
In case you’re not familiar with the repeat markings, You play straight through to “D.S. al Coda” the first time. Then you go back to the symbol that looks like a drunk dollar sign in bar 23. Play up to where it says “Da Coda” then skip ahead to the target in bar 59.
In One U2 make use of a simple melody trick that crops up in many popular songs. They take the highest note used in the verse (the E on the A-string, 7th fret) and use that as the first note of the chorus. It makes the song peak at the right moment and in this case adds emotion as Bono pushes for the note. They take that even further in the middle section with the starting note moving up to G (A-string, 10th fret). You can tell Bono’s reaching for the note and it really makes the song peak.
The rhythms in this one are a little unusual and wander around the beat. So I’d recommend going with the flow of the song rather than trying to recreate every rhythm.
To keep my arrangement short, I’ve chopped out the second verse and chorus and shortened the guitar solo in the outro.
Rounding off Valentine’s week with one of the few lovey-dovey songs I actually like. Make You Feel My Love first cropped up on Bob Dylan’s Out of Time (a record that was seen as Dylan’s “I’m nearly dead” album when it came out twenty years ago). But it became much more widely known when Adele covered it on 19. My arrangement leans towards the Adele version. But there’s not a lot to choose between the two anyway.
I’ve kept the arrangement very simple. I’m mostly using thumb and two finger picking. The only exception is when I strum all the strings with my thumb in bars 7, 24 and 26. But it is arranged in such a way that you could play the whole thing with your thumb.
The one part that might be a challenge is the jump down the neck between bars 10 and 11.
I may have to return to OK Computer for another tabbing or two. Every song on the record is incredible. But No Surprises stuck out as the one that’s prime for a ukeing.
In this arrangement I’ve tried to keep the fingerpicking riff going under the melody. Which works out pretty well for the most part. But you really do have to make sure you emphasise the melody notes or they can very easily get lost in the picking.
Towards the end I switch towards strumming. To make the melody easy to see I’ve tabbed up the backing strums as just being on the g, C and E strings. But it’s not a big deal if you hit all the strings.
EatMyUke’s cover of all the songs on OK Computer inspired me to write up the chords for Paranoid Android. The versions of the chords around the net I’ve seen are very simplified. So I’ve gone in the other direction and made them as true to the original as I could manage. Which means there are lots of unfamiliar chord shapes all over the neck.
The song is split into three main sections so I’ve also split up the chords into three sections.
Opening Section
This section has the biggest leaps up and down the neck. So pay close attention to the fret numbers at the right of the chord diagrams.
If you have trouble playing Gm6 (like I did) you can play it as 0767 and that’ll work just fine. And you can also play E7 as 4445. The only downside of those changes is you don’t get the constant drone on the g- and A-strings.
Riff Section
The least uke friendly section. For the riff I’m using mostly power chords. That means each chord only has two notes so I’m blocking the E- and A-strings from ringing with the underside of my index finger.
It gets much easier when it switches to straight chords for C – G# – Bb. Except the time signature becomes and off-kilter 7/8. The strumming I use goes:
C: d – d – d u d G#: u – u d u Bb: d
Rain Down Section
The third section is mercifully straightforward on uke. It’s all standard chord shapes and you can use this strum all the way through:
d – d – d u d u
Then it’s a return to the riff section for the extended outro.
Teardrop is one of my all time favourite songs. As well as the original Massive Attack version (used as the theme tune to House) there have been a bunch of great covers. The version by Jose Gonzalez and Acoustic Labs’ instrumental guitar take on it had a big influence on my version.
There are a couple of unconventional techniques in this arrangement. The first is in the percussive section (bars 13-14). Here I’m using muted strums the rapping my finger nails against the bottom edge of the uke. In the tab the muted strums are an x on the C-string and the nail-strums are an x on the A-string.
I tried out a few different percussive techniques (e.g. bashing the body of the uke with the side of my hand in place of the muted strums and tapping my fingernails on the sides of the uke) and some are very effective. I settled on these because they’re the most straightforward but I’d recommend trying out a few variations for yourself.
The trickiest parts are the harmonics in bars 27-30. Harmonics at the fifth fret give the high ringing required but they’re a real pain to play. I screw up a few of them in my version. If you want something more forgiving play the harmonics at the twelfth fret. They’ll sound right but be an octaves lower.
I don’t know how many times I’ve heard this tune. Several hundred I expect. But not once did it occur to me that there might be a reason he’s going on about tossed salads and scrambled eggs. Frasier writer, Ken Levine asked the tune’s composer Bruce Miller who explained, “these were things that were “mixed up” like Frasier Crane’s patients”.
And it’s not just the patients. The theme is a mixed up, mouse painting, moon howling kinda song. For a tune that only lasts 36 seconds this really packs in a lot of different notes. My advice is to throw yourself into it an not worry much about any mistakes.