As promised when I tabbed bury a friend, here’s a version of the slightly less creepy and more Bon Iver-y when the party’s over.
The song is mainly made up of vocal harmonies which means it works well with ukulele chords. There is a lot of space in the tune. So make sure you let it breathe and don’t take it too fast.
I first stumbled across Billie Eilish with her ukulele song party favor. I enjoyed it enough to stick it on my Ukulele 2017 Spotify playlist but wasn’t entirely blown away. Something must have happened since then because she’s released four outstandingly good songs in a row.
The song is split between melodic sections like the People are Strange-like intro and the “Debt I owe…” section and the more mood-based sections. To emphasise that I’m playing the melodic sections using fingerpicking and the moody sections with strums (including plenty of muting for strings that aren’t being played).
’ve decided to loosen up on my schedule of what gets posted on what days. Partly because I’m sure no one cares. And partly because I’ve been promising this tab and getting requests for it for a long time and it keeps getting bumped for something more timely.
On a Good Day is a very atypical Joanna Newsom song. It’s far more emotionally, lyrically and musically direct than anything else she’s done. To match that, I’ve kept the arrangement super-simple and beginner-friendly. Although I’m using fingerpicking, you can play the whole thing with just your thumb.
Thunder has many elements that make it great for a uke adaption: a strong melody, Simple chords in the key of C and some fun solo parts. But it also has that damn squeaky-voice section. That section was the hardest to get right and I’m still not sure it entirely works. There’s a note at the 15th fret in that part. If your uke doesn’t go that high you can replace it with the A-string, 10th fret to get a similar effect.
The piece starts out using thumb and two finger picking for the verse and pre-chorus. Then in switches to mostly strumming to blast out the chorus and then uses a combination of strums, picking and flicks (flicking the index finger upwards to hit the A, E and sometimes C strings).
This Frank Loesser song was originally recorded by The Orioles but has become a bit of a ukulele classic since being covered by Zooey Deschanel and Joseph Gordon Levitt in 2011. I wrote up the chords back then and now time for a tab.
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It’s impossible to get away from this song around this time. And this blog isn’t going to give you any respite. But it has been 10 years since I posted the chords so it’s about time for the tabs.
This arrangement starts off with pretty simple with a loose fingerpicking arrangement. After that it’s strummed with a few notes picked and a lot of string muting until a return to fingerpicking right at the end.
In case you’re not familiar with the repeat markings, You play straight through to “D.S. al Coda” the first time. Then you go back to the symbol that looks like a drunk dollar sign in bar 23. Play up to where it says “Da Coda” then skip ahead to the target in bar 59.
For Halloween, a song from the greatest horror film ever made. It’s so densely packed with detail, unforgettable images and jarring juxtapositions. Which has spawned an entire industry of fan theories from the undeniable to the entirely ridiculous to the disturbing and plausible (and if that theory is true it recontextualizes this song in an entirely alarming way).
Midnight, the Stars and You was originally perfromed by Al Bowlly and Ray Noble and released in 1934. Making it out of time for the 1921 photo. The song also cropped up in Snowpiercer and was recently unexpectedly covered by Deerhoof.
The tune gives plenty of room for some jazzy noodling. For the first half of the arrangement I use those gaps to play around with the chords. In bars 7-8 and 11-12 I add in chromatic descending notes. And in bars 19-20 I throw in diminished and augmented chords.
In the second half of the verse I throw in a couple of licks in bars 23 and 27-28. In those licks I’m using the F Mixolydian scale. Which sounds fancy but is just an F major scale with a flatted 7th (i.e. an Eb instead of an E). I picked that up from the Eb used so effectively in the descending run at the end of the original version.
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This song has quite a story behind it. When working on the MASH movie Robert Altman attempted to come up with, “the stupidest song ever written,” for the funeral scene. But failed to come up with something suitably idiotic. But told the movie’s composer Johnny Mandel, “All is not lost. I’ve got a 15-year-old kid who’s a total idiot.”
So his son poured his heart into a dark poem about how suicide is the answer to a life full of pain. To which his dad presumably chortled, slapped him on the back and said, “This trash is absolutely perfect, you tiny moron.”
But the joke is on Robert Altman. His son made far more money from the song than Altman did for directing the movie thanks to it being used in the TV show and being covered by acts as diverse as Bill Evans and the Manic Street Preachers.
I’ve kept my arrangement pretty straightforward. There are lots of familiar chord shapes and it’s one finger per string picking all the way through. The only tricky part is the big leaps up the neck in bar 18. Also, watch out for the bar of 2/4 on D7 chord in bar 13. That D7 chord lasts for a bar longer in the original version but it feels a bit over the top to me so I cut it short (as the Manics did in their version).