Following up the Zombie tab with another of The Cranberries’ most loved songs.
The intro has a fingerpicking figure switching between Cmaj7 and G that reminds me of Tonight, Tonight. After that, the original has a jarring fade into the main body of the song. I’ve smoothed that out so it’s closer to the acoustic version.
The other part to look out for comes in the bridge. Because the melody goes below the C on the uke, I’ve had to shift the melody in bars 35 and 36. The transition back down in bar 37 needs to be played confidently to get away with it.
The chords in the verse are a little unusual. The first time around the Dm chord lasts one bar. The second time, it lasts half a bar and all the chords are moved half a bar earlier with an extra half a bar of Dm in bar 9.
The pre-chorus introduces some strums to build up to the chorus. The chord progression in the chorus is great. Particularly moving between D and Cm.
There’s a key change to Eb in the bridge. Which makes it tricky to play.
Next is the solo, which also has a few tricky bits. Most notably the trip up the neck in bar 31.
After that is a minimal version of the verse and a chorus with a slight variation at the end.
I started the Uke Hunt Patreon a couple of years ago and the support of Patreons has made a massive difference for the site. A huge thank you to all the backers It’s been a difficult couple of years for everyone and I deeply appreciate you choosing to support the site and keep the whole thing going. I couldn’t have done 2021 without that help.
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Here’s a tab for The La’s’s massive (and only) hit There She Goes. Despite their one-hit-wonder status, they were massively influential and were the template for the Britpop fad that kicked off a few years later.
This arrangement kicks off with the riff moved up to the key of C. That makes things much easier because you can use the open g-string as the pivot note. Things get a little trickier in bar 5 when the chords come in. If you’re struggling with that, you can keep playing the single note version and no one will care.
You can make the chorus easier with some forward-thinking fretting. If you fret the C chord at the start of bars 11 and 13 with your middle finger, you’ll be able to transition into the G chord much more smoothly. And at the start of bars 15 and 17, fret a Dm chord like you usually would and play the E-string third fret with your pinkie.
Next it’s back to the riff with a short solo section. Then the song shifts to A minor in the bridge but keeps the same melody. From there, the arrangement switches to mostly strumming as it builds towards the end.
It’s a short and sweet tune with some nice chord moves. The only tricky part comes in the final few bars. Here you’re playing octaves on the C and A-strings while muting the E-string with the underside of your index finger. If you don’t fancy that, you can just play the notes on the C-string and ignore the rest.
I’m back slightly later than planned thanks to slipping on some ice like a moron and fucking my back up good and proper. But I’m recovered and back in action with this tab of The Fray’s massive 2005 hit.
The chorus for this one is insanely catchy. And the benefit of playing an instrumental version is that you don’t have to wonder why he rhymes a word with itself so many times in this song.
This one is fingerpicked all the way through. I’m using one-finger-per-string picking all the way through. But you can switch to alternate picking for some of the rapid notes.
The chorus is nice and straight-forward and the solo is very basic. The only part I had trouble with was the verses. The melody shifts slightly all the time. Which made it hard for me to keep track of. But it is nice and compact and doesn’t require anything fancy.
If you can’t stand to be without a steady stream of uke, I’ll be posting on Instagram, on Twitter and Patreon. Speaking of which…
Patreon
I’ve been blown away by the amount of support I’ve received since starting the Uke Hunt Patreon. The amount of support has far exceeded my expectations and I’m overwhelmingly grateful to everyone who has supported the site. Your support has meant that, by my count, there have been 57 full tabs added to the site this year. Plus 12 more Patreon-only tabs.
And extra thanks to December’s Tenor backers:
– Arthur Foley
– Colleen Petticrew
– Dan
– Elizabeth Beardsley
– Fi Keane
– Jeff K
– Kelby Green
– Kie77
– Leia-lee Doran
– Lisa Johnson
– Nick Parsons
– Olga deSanctis
– Pat Weikle
– Pauline LeBlanc
– Robert
– Thorsten Neff
