I’ve spent hours and hours examining John King’s arrangements (particularly his Classical Ukulele book) and working out he decided to play things a certain way. I’ll always regret not emailing him and asking him a for an interview (although I’ve recently discovered that emailing your heroes can be a bit disappointing).
I had lengthy discussions with Ken Middleton about the opening run of this tune. I couldn’t believe that John King would play two consective notes on the same string. The only other time he does it in this piece is on the lower reaches of the C string where he doesn’t have a choice. But it is very difficult to get the phrase fluent any other way (and it’s still tricky the way it’s played).
And it’s not the only tricky passage. One part I had big trouble with is bar 28/29. So I play it like this in my version of the tune: