CCR – Bad Moon Rising (Tab)

We’re kicking off Halloween season with CCR’s Bad Moon Rising. For extra spook, I’ve worked from the minor key version of the song that cropped up in Wednesday. I always like the way dark songs sound on the uke. So this minor version works well.

I’m using Travis picking all the way through the tune. So the thumb is alternating between the g- and C-strings while the index and middle fingers cover the E- and A-strings, respectively. This technique sounds intricate and hard to play. But, once you’ve got it under your fingers, it flows very easily. So practice nice and slow before you attempt it at higher speed.

If you’re in the mood, you can find more Halloween tabs and chords here

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Minnie Riperton – Lovin’ You (Tab)

Today we’re taking on Minnie Riperton’s sweet lullaby and notoriously bad karaoke choice
Lovin’ You.

I’ve kept the arrangement sparse to match the original and to focus on the melody. But it’s still a challenge to play due to the amount of movement up and down the neck. The trickiest bits being the jumps up to the 12th fret. I found bar 19 particularly challenging.

Of course, Minnie Riperton’s famed vocal range far outstrips the range of the ukulele. So the ultra-high “ah-ah-ah…” section is shifted down an octave.

It’s played with one finger per string picking all the way through.

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A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month.

And extra thanks to September Tenor level backers:

– Arthur Foley
– Brian
– Dennis Boutsikaris
– Elizabeth Beardsley
– Ely Fletcher
– Ivo
– Jeff K
– Jon Kenniston
– Kelby Green
– Leia-lee Doran
– Mary
– Nevylle Carroll
– Noah
– Pat Weikle
– Pauline LeBlanc
– Rick Wurster
– Robert
– Steven Pituch

If you join Patreon at the Concert level or higher, you’ll get access to all 68 previous exclusive tabs including September’s: BB King’s The Thrill Is Gone

Nena – 99 Red Balloons (Tab)

Today’s tab is Nena’s 99 Red Balloons. Originally 99 Luftballons. I worked from the English version for this arrangement, but there’s not a lot of difference between them.

Intro/Outro: The song closes with a slow, fingerpicked version of the melody. Nothing troubling to tackle here. It’s all basic chords in the first position. The g-string does some of the melody work, so make sure those notes are prominent.

Bridge: The song speeds up for the riff section. I’m fingerpicking the notes here with muted strums (plus a muted note on the g-string that’s picked with the thumb). Keep this section staccato to match the original.

Verse: The increased tempo and use of strums makes this section trickier than the first. But, as compensation, it’s more repetitive so it’s simple once you get it under your fingers.

Solo: The keyboard solo doesn’t seem any trickier than the verse, but I found it much more of a challenge.

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Stone Temple Pilots – Plush (Tab)

Here’s my take on the most 90s song there is: STP’s Plush.

Intro: Starting off with a simple chord riff with chromatically descending notes on the C and A-strings.

Verse: Nothing too tricky in the verse. The transition between bars 7 and 8 was the bit I needed to practice most. Once you get to the, “And I feeeeeeel it,” section, you can just blast it out.

Pre-Chorus: More of challenge. It’s all barre chords until the last few notes. And so is the chorus, so you’ll need some finger stamina to get through it. There are also some big stretches in bars 19 and 21.

Chorus: The trickiest part. There’s some quick moving around the neck. I’ve included a fingering suggestion in bar 23 to make the transition easier.

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Amy Winehouse – You Know I’m No Good (Tab)

This arrangement of Amy Winehouse’s You Know I’m No Good. The chords are simple but effective. The move from Gm to Cm6 (a Cm chord with an open A-string) to D has such a melancholic and resigned feel to it.

Nothing goes above the fourth fret (and even that is only in the solo), so there’s not much movement to deal with.

The only challenging technique is the use of grace notes. A grace note is a quick note you play just before the main note. For example, in bar 8 you play the open A-string then immediately hammer-on at the first fret. This gives the melody more of human touch.

When grace notes happen inside a chord, they’re written before the chord in the tab, but you play them as part of the chord itself. For example, in bar 2 you play 021X, then immediately hammer-on the third fret of the E-string.

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Don McLean – American Pie (Tab)

Here’s my take on Don McLean’s American Pie.

Inevitably, I’ve trimmed this one down from its 8 1/2 minute runtime. This arrangement includes the opening slow verse, then speeds up for the first chorus, then speeds up again for the second verse and chorus.

There’s nothing too tricky to play until the second half of the second verse. As well as the increased tempo, there’s a lot of jumping up and down the neck to handle.

But the hardest part for me was memorising the verses. The chorus has a very catchy melody and a clear chord structure. But the verses are meandering and wordy. The chord progression never settles into a pattern. And even changes slightly between the two verses.

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Watch on YouTube

Tracklist
Mon Rovîa – Rust
Bobby Alu – Sunsets (With You)
Neal Chin & Conrad Cayman – These Foolish Things
Pillow – Desperado, Malagueña & Innuendo Medley
Martina DaSilva & Josh Turner feat. Brandi Disterheft – We Three
Amanda Shires – Tourniquet
Uklectic Fred – Mississippi Blues
Jenny Preece – Run, Jump, Throw! 1 (from Super Mario Odyssey)
The Backyard Revival Duo – The Quiet Life
Ruthie Craft – Nineteen

A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month.

And extra thanks to August’s Tenor level backers:

– Arthur Foley
– Brian
– Dennis Boutsikaris
– Elizabeth Beardsley
– Ely Fletcher
– Ivo
– Jeff K
– Jon Kenniston
– Kelby Green
– Leia-lee Doran
– Mary
– Nevylle Carroll
– Noah
– Pat Weikle
– Pauline LeBlanc
– Rick Wurster
– Robert
– Steven Pituch

If you join Patreon at the Concert level or higher, you’ll get access to all 67 previous exclusive tabs including August’s Black Sabbath’s Changes:

Eagle-Eye Cherry – Save Tonight (Tab)

I hadn’t thought about Eagle-Eye Cherry’s Save Tonight since the Cretaceous period until it was requested on Patreon. But the chorus is still buried in the back of my brain.

Intro: Just strumming out the chords with a few hammer-ons. Don’t feel you have to slavishly follow the tab here. So long as you keep the feel of the original

Verse: A few challenges here. There’s a lot of movement up to the fifth fret and back, some quick chord changes and some pull-offs to deal with.

Chorus: The chorus is much easier to get in a groove with. Be sure to keep the strums on the second and fourth beats of each bar percussive. I’m almost moving into the range of them being chnks.

Solo: I kept the solo short and strummy. If you want to stretch out, you can double the number of bars (to make it the same length as the original) and introduce your own ideas.

Links

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