Red Hot Chili Peppers – Otherside (Tab)

RHCP’s Otherside fits nicely on the uke. Just some fast melody notes to deal with. And the easiest solo in guitar history.

Intro: A combination of the bass and guitar parts to create a little bit of counterpoint.

Chorus: A simple melody and familiar chord shapes make this section an easy one.

Verse: A bit more tricky with a more rapid melody requiring some alternate picking.

Bridge: I’ve cut this section down to just the melody part in the second half. It’s the toughest section to play. The melody switches between the g-string and the A-string (where you play the A-string, 5th fret).

Solo: A short and easy solo.

Links

Buy the original
More 90s tabs and chords
Uke Hunt Patreon

Doris Day – Perhaps, Perhaps, Perhaps (Tab)

Perhaps, Perhaps, Perhaps started life as Quizás, Quizás, Quizás written by Osvaldo Farrés. Since then, it’s been covered by people as varied as Bing Crosby, Cake and Andrea Bocelli. But the most famous is Doris Day’s version. Which I based this arrangement on.

Intro: Starting off with the cool, staccato riff. First an octave up. Then in first position (where it’s played when it crops up later in the song).

Verse: I like to be a little late to some notes in the verse. Particularly the Gm chord at the start of bar 9. This matches the lyrics about hesitation and stalling.

Chorus: The chorus shifts up the fretboard and is much more strident. I’ve thrown in a couple of licks in bars 17 and 21 that you can change to your own tastes.

Solo: And feel free to come up with your own version of the solo, too. In this solo, I’m using the G natural minor scale. Plus some chromatic notes in bar 28 to lead into the C minor chord.

Links

Buy the original
More 40s tabs and chords
Uke Hunt Patreon

Succession Theme

Otis Redding – Try a Little Tenderness (Intro)

The Verve Bitter Sweet Symphony

The Beatles – Day Tripper

Game Changer Theme

Buzzcocks – Ever Fallen in Love (Tab)

Today’s tab is Buzzcock’s many-apostrophed punk-pop hit Ever Fallen in Love (With Someone You Shouldn’t’ve).

Intro: Well worth learning the opening even if you don’t bother with the rest of it. It’s the easiest part of the song.

Verse: Here’s where things get tricky. A lot of quick alternate picking to deal with. Make sure you’re fretting the E-string with you pinky for the G minor chord in bar 11. That’ll mean you’re in position for the quick hammer-on and pull-off between bars 12 and 13.

Chorus: The trickiest part of the song comes in the transition between the Ab and the Eb. You can make it easier by releasing the Ab chord rather than letting it ring. That’ll give you time to prepare your index finger on the A-string, 1st fret.

Break: Just the second half of the intro played a few times. Build up the volume here to increase the pull back to the chorus.

Outro: A key change right at the end. Which does make it trickier to play. The upside is you can just slow it down and call it ritardando and people will think you’re fancy.

Links

Buy the original
More punk tabs and chords
Uke Hunt Patreon

A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month. And double thanks go to these legendary patrons of the arts:

And extra thanks to April’s Tenor level backers:

– Arthur Foley
– Brian
– Colleen Petticrew
– Dennis Boutsikaris
– Elizabeth Beardsley
– Ely Fletcher
– Ivo
– Jeff K
– Jon Kenniston
– Kelby Green
– Leia-lee Doran
– Mary
– Nevylle Carroll
– Noah
– Pat Weikle
– Pauline LeBlanc
– Rick Wurster
– Robert
– Steven Pituch

If you join Patreon at the Concert level or higher, you’ll get access to all 63 previous exclusive tabs including April’s Johnny B Goode by Chuck Berry.

Outkast – Hey Ya! (Tab)

Here’s my take on Outkast’s Hey Ya! which was ably covered by the Wellington International Ukulele Orchestra back in the day.

Verse: The big challenge with this arrangement is the speed. The second verse in particular needs some quick alternate picking.

The other thing to watch out for is the bars of 2/4 that crop up on the G chord in the verse and chorus.

Chorus: I’ve arranged the chorus a couple of ways. The first half (bars 8 to 13) is just strumming it through (with the exception of a little bit of picking in bar 12).

Then in the second half (bars 14-19) I add in the synth riff. It’s more tricky to play but the chorus feels incomplete without it. It’s your choice which way to play it.

Links

Buy the original
More 2000s tabs and chords
Uke Hunt Patreon

Mike Post – Quantum Leap Theme (Tab)

The Quantum Leap theme was written by Mike Post who also wrote (previously tabbed) themes for Magnum P.I. and The A-Team.

I love the 80s cheese of the theme. And it’s fun to play on uke too. I particularly enjoy the end of the B section (bars 17-22).

Links

Buy the original
More 80s tabs and chords
Uke Hunt Patreon

Watch on YouTube

Tracklist
Dr. Austin Dean Ashford – Pay Me Now
Patty PerShayla – Panama (via @ukeist)
Jenifer Cabrera – Água de beber
RIO / Alfredo & Jovina Canopin – The Shadow Of Your Smile
Jessica Maeve – Paint a Picture
SeattleUke – Big Boy Blues
Vinícius Vivas – Gavotte (J.S. Bach)
Sofi?a Campoamor – Stardust
Keel the Barber! – Hiking

Stealers Wheel – Stuck in the Middle with You (Tab)

Stuck in the Middle with You is just strumming almost all the way through. Just a bit of fingerpicking on the “please-e-e-e-e-ease” bits and in the solo.

And the fretting hand isn’t too much of a challenge either. There’s a fair amount of bouncing up and down the neck but it’s set against the open g and C strings for most of the song. The solo is a little challenging, but you’re free to change that up to suit your own playing.

Links

Buy the original
More 70s tabs and chords
Uke Hunt Patreon

Stereophonics – Handbags and Gladrags (Tab)

Handbags and Gladrags was written by, lead singer of Manfred Mann, Mike d’Abo in the sixties. But it wasn’t until the song was used as the theme to The Office (UK) and Stereophonics released a version that it became a hit. And it’s that version I based this arrangement on.

Intro: The first four bars are the sweet oboe melody. Then the bluesier piano riff comes in bar 5 (which is my favourite part).

Verse: The verse melody itself is very simple. The tricky part is quickly moving all the way up the neck for the piano riff. If you don’t fancy that, you can always sub in the oboe line for the piano line.

Chorus: Also needs a few jumps around the neck but they’re not so big and quick. There’s a big stretch at the start of bar 16 to watch out for.

Solo: The big brass solo is just three notes played over and over again.

Links

Buy the Stereophonics version
More rock tabs and chords
Uke Hunt Patreon