KPop Demon Hunters – Golden (Tab)

For a parody song from a movie, they really went all out with Golden from KPop Demon Hunters.

Intro: The technical wizardry starts right away. The song starts in 3/4 time and shifts both time signature and tempo seamlessly into 12/8. This is done by having one eighth note in 3/4 be the same duration as two eighth notes in 12/8. This is a technique known as metric modulation. I recommend watching David Bruce’s video on the topic if you want to understand it. And I recommend listening to this section of Stray Kids’ Side Effects to hear some time signature fuckery you don’t get much in pop.

Verse: From here on, the song is in 12/8. This time signature crops up fairly often in K-Pop such as GFRIEND’s Apple and Fifty Fifty’s Lovin’ Me. In 12/8 the beats are arranged into four groups of three (so you can count each bar 1-2-3-4 with each beat being divided into triplets). But they sometimes go against this grouping. So, for example, in bar 15 (“Now that’s how I’m getting paid”) it’s divided into six evenly spaced notes.

Pre-Chorus: This is where the vocals start to make big leaps and we head up the neck. But this section is slow and minimal. So it’s straightforward to play.

Chorus: This is where things get very tricky. In the first half of the chorus, there are lots of rapid repeated notes. And in the second half, we’re leaping up and down the neck. With the melody stretching from the open E-string up to the 12th fret on the A-string.

Outro: Similar to the chorus, we have a first half with rapid notes and a second half with big shifts. For the rapid notes, I’m doing a modified triplet strum. So I’m strumming down with my index and middle fingers together. Then plucking the A-string with my index finger, followed by a pluck with my middle finger.

Links

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BLACKPINK – Kill This Love (Tab)
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Phil Collins – Against All Odds (Take a Look at Me Now)(Tab)

Here’s my take on Phil Collins’ Against All Odds.

Intro: A quick intro with the thumb picking the C-string with index and middle on the higher strings.

Verse: Switching to one finger per string picking from here up to the outro. That allows the g-string to get in on the melody in bars 3 and 4. You can take advantage of the open strings in bar 2 to give yourself time to move up to the fifth fret.

Chorus: This is the trickiest section, with lots of movement up and down the neck, some campanella playing, and a stretch for the Gm chord in bar 11.. To prepare for that stretch, make sure you’re playing the E-string, 6th fret with your index finger. That’ll put your hand in the right place for the chord.

The chorus includes a couple of bars of 2/4. The original only has the second one. But it felt much more natural to me to play it both times. If you don’t want to do that, you can skip the first half of bars 13 and 19.

Outro: A repeat of the intro with another, “Take a look at me now.” Then a series of chords that leave the song on a cliffhanger.

Links

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More 80s tabs and chords
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A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month.

And extra thanks to November Tenor level backers:

– Arthur Foley
– Brian
– Dennis Boutsikaris
– Elizabeth Beardsley
– Ely Fletcher
– Ivo
– Jeff K
– Jon Kenniston
– Kelby Green
– Leia-lee Doran
– Mary
– Nevylle Carroll
– Noah
– Pat Weikle
– Pauline LeBlanc
– Rick Wurster
– Robert
– Steven Pituch

If you join Patreon at the Concert level or higher, you’ll get access to all 70 previous exclusive tabs including November’s: The Cure’s The Love Cats

Elvis Presley – Suspicious Minds (Tabs)

Here’s my take on Elvis’s Suspicious Minds.

Intro: A nifty little riff to start with.

Verse: The verses are nice and simple. A straightforward G-C-D chord progression with a simple but effective melody.

The verse at the end (bar 40 onwards) is a beefed-up version of the first half of the earlier verse pattern.

Chorus: Here’s where things get challenging. There’s a lot of bouncing up and down the neck. And things get fiddly at the top end. I found the high Bm section (bar 24) the most challenging bit of the song.

Bridge: This section has a big drop in tempo and a time signature change to 6/8. Like the chorus, there are some challenging moves here. But the slower tempo makes it more manageable.

Outro: Closing off with a descending G minor pentatonic inspired by the live ending of the song.

Links

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Waxahatchee – Right Back to It (Tab)

This arrangement of Waxahatchee’s Right Back to It is a rare outing in the key of Bb, which keeps all the melodies comfortably within the first few frets.

But there’s still plenty of movement up and down the neck in the song’s instrumental sections. And there are many of those with an intro and two solos. I’ve kept the intro close to the original. And I recommend you do the same. But the solos have plenty of room for your own ideas. For mine, I’m following the chord shapes and adding in notes from the Bb major scale (plus a C# in bars 42 and 54 for a bluesy edge). And I use lots of slides and bends to imitate a lap steel guitar. The lick in bar 53 in particular is a classic lap steel move.

Links

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David Bowie – Fame

Radiohead – My Iron Lung

Rush – Limelight

The Cramps – I Was a Teenage Werewolf

South Arcade – Stone Cold Summer

A massive thanks once again to the generosity of Uke Hunt’s Patreon backers for keeping the site up and running this month.

And extra thanks to October Tenor level backers:

– Arthur Foley
– Brian
– Dennis Boutsikaris
– Ely Fletcher
– Ivo
– Jeff K
– Jon Kenniston
– Kelby Green
– Leia-lee Doran
– Mary
– Nevylle Carroll
– Noah
– Pat Weikle
– Pauline LeBlanc
– Rick Wurster
– Robert
– Steven Pituch

If you join Patreon at the Concert level or higher, you’ll get access to all 69 (nice) previous exclusive tabs including October’s: Weezer’s Buddy Holly:

Bobby “Boris” Pickett – Monster Mash (Tab)

I’ve covered a lot of Halloween songs over the years and I’ve always avoided Monster Mash. It’s delivered in a talk-singing voice, so there’s no real melody to transport to uke. So the melody in this arrangement is largely fictional. I’ve tried to follow the contours of the vocals and match the vibe of the original. But feel free to change anything you don’t like. Either way, I’m sure Pam would hate it.

Links

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More halloween tabs and chords
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The White Stripes – Fell in Love with a Girl (Tab)

The White Stripes’ Fell in Love with a Girl is a simple song but the tempo is high. I’ve slowed it down in my version (from 180BPM-ish in the original to 170) but it’s still a challenge to keep up. To make things easier, the arrangement moves across the strings rather than up and down the neck. Which means there’s a lot of open strings and use of the g-string in the melody.

Even more than usual, this one rewards practicing slowly. Let your fingers learn the patterns before building up speed . Because once it’s up to tempo, there’s no time to think.

Links

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CCR – Bad Moon Rising (Tab)

We’re kicking off Halloween season with CCR’s Bad Moon Rising. For extra spook, I’ve worked from the minor key version of the song that cropped up in Wednesday. I always like the way dark songs sound on the uke. So this minor version works well.

I’m using Travis picking all the way through the tune. So the thumb is alternating between the g- and C-strings while the index and middle fingers cover the E- and A-strings, respectively. This technique sounds intricate and hard to play. But, once you’ve got it under your fingers, it flows very easily. So practice nice and slow before you attempt it at higher speed.

If you’re in the mood, you can find more Halloween tabs and chords here

Links

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More Halloween tabs and chords
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