Burberry are throwing a lot of nice clothes at ukers: Misty Miller, General Fiasco, Acoma and, this week, Pegasus Bridge. If this is general policy, can I put in an order for one of these? Size: the fattest one you make.
Not quite so well dressed but just as entertaining this week are Hawaiian soloist Benny Chong, Irish troubadour Peter Delaney, Japanese jazz-nutters Bliki Circus and many more besides. I should warn you, there’s lots of extended jazz noodling this week.
Some stiff competition for my affections this week: Les Reitfors concert, Kumalae Style 5, 1928 tenor Gibson, Jose Do Espirito ukulele.
But for this week, it’s not a ukulele I want. It’s this strange, jumbo tenor guitar thing.
(Over-Keyworded) Pictures: 3 Handsome Ukulele Banjo Boy Pretty Girls Ocean Grove, ukulele pretty teen girl, 2 boys
The Guardian are letting you stream the new Tune-Yards album w h o k i l l.
Mark Gutierrez experiments with fingerpicking.
You can win tickets to a Ukulele for Dummies session at the London iTunes festival (and, no, I will not be there – I’m hoping for Mogwai tickets).
Make a cardboard ukulele (thanks to Jenny).
Are there any ukers out there with Raynauds syndrome? Long-time friend of the blog, Gazmatt has been diagnosed with it and is hoping to chat with a fellow uker about coping with the condition. If you want to chat you can send Gary an email here.
Following on from yesterday’s post about the Cabral manuscript, two more C19th pieces for, the uke’s forerunner, the machete.
I say ‘forerunner’ but reading Manuel Morais‘s Colecção de Peças para Machete, the rajão seems like the much more likely candidate. The soprano uke is more like a machete in size and number of strings, but not at all like it in terms of tuning. And I’d say the uke’s re-entrant tuning was its defining characteristic. In that, it’s much more like the 5-string, tenor-ukulele sized rajão which is tuned dgCEA (with re-entrant d- and g-strings).
The difference in tuning between the machete and the uke does cause a few problems. Unlike yesterday’s tunes, today’s don’t transfer directly to a re-entrant uke as pleasingly. They would, however, work well on a low-G uke (with the A-string tuned down to G) or on a baritone (with the E-string tuned down to D). I might well re-arrange them for standard uke sometime.
Again these tabs (worked out from the original manuscript which is public domain) and MP3s are released under a Creative Commons license meaning you can freely play them, record them, adapt them, pass them round or even sell them. I had assumed everyone was familiar with Creative Commons but a comment from plink freud set me straight. I’m more than happy to write a post about my take on Creative Commons – and I might well do that – but you can read the official version here and watch this video.
There’s a bit of an anomaly in the original score for this one. Bar 15 is clearly only has enough notes in it for a bar of 3/4. But there’s no indication of a time signature change and you’d expect it to be (indeed it’s very similar to) a repeat of bar 3. I’ve retained it as written in the tab above but here’s a tab with bar 15 repeating bar 3.
Here’s the tab being played by a robot:
The second section doesn’t work too well on a re-entrant uke, so here’s a shortened version for uke tuned gCEG
And here that is being played by a human:
Masaniello – Uke Version (MP3)
I’m going to have to work up a uke-suitable version of this one because I love this tune. Until then, here’s the robot version:
These pieces with arrangements by Manuel Joaquim Monteiro Cabral; and tab and audio by http://ukulelehunt.com are licensed under a Creative Commons Attribution 3.0 Unported License.
After I did my post about Madeiran music (the ancestral home of the ukulele), Jay left a comment about music for the uke-like machete (ma-shet). He was also kind enough to forward me a scan of Estudos para Machete Arranjados by Manoel Joaquim Monteiro Cabral which is a machete method book from the mid-19th century. You can see some pictures of it on Nalu Music.
The pieces in the Cabral manuscript are written in standard notation only, so I’ve been writing them up in tab form. And most of them work very well transferred directly to a standard ukulele. The only thing you need to do is tune the A-string down a tone (so it’s the same pitch as the g-string). That’ll give you an open C chord; making it the same relative tuning as a machete which is tuned to an open G chord (DGBD – higher than the ukulele). The one issue is that the machete isn’t re-entrant. So if you’re playing a low-G (or a baritone), it’ll work perfectly. If not, it’ll sound different but – for today’s two pieces at least – it’ll still sound good.
If you’re interested in this topic, I can highly recommend you pick up a copy of Manuel Morais‘s Colecção de Peças para Machete. The written section is in Portuguese and English and the second half is made up of standard notation of music for machete and guitar. The website is in Portuguese but I didn’t have any problems ordering it and it was delivered very quickly.
I’m putting up all these tabs (and MP3s for that matter) with a creative commons license. That means you’re free to use them in whatever way you see fit. Record them, rearrange them, pass them around, sell them if you like.
The first full piece in the Cabral manuscript is this Waltz. Do note that I’ve never even touched a machete so it’s not to be entirely trusted. The original document does have fingering numbers written in pencil. I’m assuming that’s done by someone who knows more about playing the machete than I do so I’ve tried to tab it out to match those fingerings.
Here’s a version of me playing this tab – without any changes – on a re-entrant ukulele tuned gCEG.
Again, I’ve used the fingerings written in pencil as a guide for this tab. But they didn’t really suit my style so I rearranged it slightly for my version to this:
These pieces with arrangements by Manuel Joaquim Monteiro Cabral; and tab and audio by http://ukulelehunt.com are licensed under a Creative Commons Attribution 3.0 Unported License.
There’s been a fair bit of Grammy-bashing around here but this set of performances from Mumford & Sons, The Avett Brothers and a Bob Dylan impersonator was incredible.
Since the last time I did some Mumfords, Marcus has picked up the ukulele. Until some uke action crops up on record, here’s a uke version of Little Lion Man.
This strum will see you through the intro, the verses and the loud choruses:
A lot of the time – particularly the verses – he’s playing this with palm muting on the down strums. That means you rest the bottom edge of your palm on the string just in front of the bridge as you strum. It’s a bit like a chnk but you keep your hand on the string as much as possible.
Here’s a video (playing it slow then up to speed) which may or may not make things clearer.
For the middle section, do all down strums. Four times for C and F and eight times for Bb. You can fancy it up a little – like he does – by doing a quick up-strum before each chord change. As it gets louder he goes back to the main strumming pattern.
In the intro (picked up again later in the song) there’s a switch between F6 – F – Fadd9 – F during the first bar of the F chord:
In the intro (and verse 2) the banjo adds a couple of B flats to the chords like this:
The little banjo solo after the first chorus is tricky to transfer to uke. I’ve included a version of it in the chord sheet (make sure you fret the C-string with your ring finger if you’re attempting it). It sounds like this:
But you can make it much easier to play without losing much by leaving out the hammer-ons and playing it like this:
UPDATE: If the video is blocked where you are, check the comments for some alternatives.
Requested by pretendings and Anika.
A slight stretching of the rules this week to include Melodica Melody and Me’s charango. Well worth it I think. People actually playing ukuleles this week include The Original Rude Boys, Diane Rubio, Chester Gaylord and plenty more.
Not in the line-up but of interest: Zooey Deschanel doing the Winnie the Pooh theme with a bit of uke.
Anyone who has been following the Hawaiian Grammy/Daniel Ho saga should read this comment from slack key master Cyril Pahinui (son of the legendary Gabby Pahinui). It shows just how deeply feeling goes on this subject.
The Kala’s Ukedalic range has hit Amazon with the Plaid, Tiki and Paisley models.
Equally (*tries to think of a nice way of saying garish*) eye-catching new designs for the Flea and Fluke: Island Fluke, Atomic Fluke, Aloha Plum Flea. Plus the Firefly banjo ukulele.
Martin are releasing 6 new models. Full specs can be found here (via Ukulelia).
A rare chance to get your hands on a Lavender KoAloha Pineapple Sunday (this one is signed by Raiatea Helm and Alvin Okami).
Amy Crehore is raising money for Japan by auctioning an ema and a sketch.
All the design craziness this week has got me craving for something a little more classic like this Akai koa soprano and this Sam Chang soprano.
(Thanks to Ron Hale and pepamahina for their pointers this week.)
After all the hullabaloo, the Grammys have dropped their Best Hawaiian Album category along with a number of others.
Uke Geeks has a couple of doodads that help you pretty up your chord charts and make your plain-text tabs more handsome.
In Videos: Nellie McKay did a Tiny Desk Session for NPR, Tiny McItchyface‘s follow up to his huge success was very understated – it’s been up months (on a different channel) and has fewer than 50,000 views, Bartt plays blindfolded, Scott Matthew does a session for Shoot the Player.
In pictures: Fishy ukuleles, Eddie Vedder’s poster.
In it for the money: Shiny and the Spoon are raising money to make their new record Ferris Wheel. And Bess Rogers is looking for $10 to kill a songwriting hamster.
In the comments: It turns out I misled you in my Beatles riffs post. A Mr ‘Someone who knows what he’s talking about’ kindly pointed out my mistake:
Come Together sounds awful and day tripper is wrong. this site is total bullcrap. I could find better material underneath my shoe. Poophead: Hammer-ons means you slide from 5-7.
Day Tripper goes:
– 3-1
– 3
-0-3-5
–Besides, what kind of a rule is a no-beatles rule? If this site had beatles, then I would come here 24/7. This is an embarrassment to all ukulele players
A million sorries for my mistake. Here’s how the correct version sounds.
A while back I tabbed out the first half of this legendary performance from John King – Larry O’Gaff – but I sucked much too hard to take on the second half. Luckily, Ukulele Tim was up to the task and posted Swallowtail on his blog. After a certain amount of begging and pleading, he was kind enough to let me post the tab up here so the two could be united.
I’d love to give you some guidance on how to play it but I still suck too hard to get to grips with it. The best advice I can offer is to subscribe to Tim’s blog Ukulele Secrets.
Nalu Music
John King – The Classical Ukulele
Ten Things I Learnt from John King
UPDATE: Ukulele Tim has put up a video taking you through the tune slowly.
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