I don’t know why this is only the third time I’ve featured the Mighty Zeppelin (Whole Lotta Love, Stairway to Heaven) they’re quite clearly the greatest band in history. Perhaps because all their songs are heroically unsuited to the ukulele. This one certainly is. It took a fair bit of fudging and key changing, but I think this version just about works.
I’m using a pick in the MP3 but that’s just because I recorded this right after Master of Puppets and forgot to put it down.
If you’ve been paying any attention to the Saturday UkeTube at all, you’ll know I’m a big fan of Todd. With him putting out a new CD, Odd Hill Music, it seemed the perfect time to pump him for more information.
What can we expect from your new CD?
“Odd Hill Music” is a collection of 21 folk and old-timey songs (with one original thrown in there :) . Some of the tunes are the lo-fi mp3s from my you tube channel and a handful of the songs are from some time spent in my office recording with a little more attentiveness to mic placement, etc. It’s a very “uke-ccentric” collection replete with soprano, concert, and baritone ukulele, but it also includes tracks with harmonica, washboard, 3 string cigar box guitar, and the 12 string guitar (which i affectionately call the ‘boom stick’). i’d say it’s a bit quirky, very simple, pretty lo-fi, pretty fun, and a bit punk….even though it’s folk :)
You mentioned on your blog that the ukulele has inspired you to write more songs. Why do you think that is?
*i’ve got a new blog by the way that i promise to post more consistently on….because it’s focus is scattered like me www.brothersonnysblog.blogspot.com
I think this is a great question. Quite honestly, i think it’s partly because i’ve been playing the guitar for 20 some odd years and have become a little too comfortable with it’s voice and tone….(another reason i’ve recently picked up the 12 string guitar and been messing around with alternate tunings). Another part of the equation would have to be the unique voice and feel of the uke….even the baritone (gasp). The re-entrant tuned ukes just breathe fresh life into chord patterns/riffs (which is usually how i start making/writing tunes) and the baritone uke has a simplicity to it that I believe is a good fit for my voice.
Which of your homemade instruments is your favourite?
I’ve got two right now. one is a modification i did on a crappy grizzly kit uke. The Uke-Cimer. I pulled frets off to give it a diatonic scale/dulcimer fretboard and i put the 1st and 2nd strings close together to make them one course….i think i have it tuned to DAD. the other is a 3 stringed box guitar i made out of an old art supply box and a plank of pine….it’s got natural overdrive when you strum it hard enough!
You often play for kids. How do you find they react to the old songs?
They’re absolutely super! They get very involved, many of them are pretty familiar with some of the old folk songs I do (probably thanks to Dan Zanes’ family music empire), and they’re pretty forgiving if i chunk a verse here or there….
You’ve got a new YouTube channel for family, singalong songs. Do you come from a musical family?
Yessir. youtube.com/sonnyssongbag is my start up channel to promote singalongs and internet porch music. I come from a family that appreciates music, but not many players….it’s neat though, my 3 year old son is already messing with the uke, percussion, and my homemade creations, and my 4 year old daughter seems to have a knack for song and dance.
How can people get hold of your CDs?
I’m still a technical Luddite. folks can get ahold of me through my Youtube Channels or e-mail me at folkster.todd@gmail.com (you can see logistics here). Until I can’t maintain it, I actually prefer doing transactions via the e-mail and postal service because I’ve made a lot of great friends that way….it’s a bit more relational. I’ll do the whole paypal thing when i hit folk star status ;)
This tab is taken from GUGUG and L’Uke’s excellent version of the tune. I’ve tabbed up Gus’s part. Daniel’s playing the same thing but in the rather unusual E tuning (bEG#C#). Finn is playing the chord with an E under the riff.
And, of couse, I couldn’t resist working out the solo as well.
Those chords are also the ones in the, “Look at you with your mouth…” section. So that’s pretty much the whole song.
Most of the UOGB stuff that turns up on YouTube is DVD rips, which makes lizardonuke’s channel very refreshing with lesser seen songs and backstage shenanigans. As well as the UOGB, this weeks vids include Mr B schooling us, Lulu and the Lampshades going bandstand busking (watch the whole thing here), The Bobby McGee’s fighting off zombies, Plushgun making a video on the cheap, Peter Moss soundchecking, Luca Gemma with the UKEit guys and plenty more. Read the rest of this entry »
The Bobby McGee’s crop up in the new Dizzee Rascal video (not the first time he’s had a uke in his video) thanks to cardboardfrog for spying that.
Whilst I was working on the updated Buy a Ukulele section, I realised I hadn’t seen a Black Bear ukulele for sale in a very long time. So I actually did some investigative journalism and got in touch with Duane. Turns out the eBay rules and fees got too high and he now sells them on Flea Market Music.
Tiny Tim Overdrive are a new uke covers band from Vancouver. There’s a recording of their rehearsal in the sidebar (including covers of Sam Roberts and Eddie Vedder) and I can’t wait to hear more.
Old-school riffery from Richie Valens. But the song is probably best known for Los Lobos’s cover version. The highlight of that version being the outro. Here’s the start of it in the same, uke-friendly, key as I used for the riff.
Amongst the videos of the Wine Country Uke Fest that have been uploaded, I noticed a few from Oceana Ukuleles. I wasn’t at all familiar with them, so to get myself up to speed I threw a few questions and Oceana mainman Zac Steimle.
How long have you been making ukuleles and how did you get started?
As an artist I have always been fascinated with the dynamics between instruments and musicians…. . The beauty and and mystery that surrounds an instrument! In 1995 I worked for a few months with a Luthier in Quito Ecuador, and that experience really piqued my interest. About 5 years ago I had the opportunity to do an apprenticeship with a world class luthier in Southern Ecuador that specialized in small instruments. All my passion and love fell into this work… as a surfer and surfboard shaper I found an easy flow into this art… It is fun to see all the different things I have done in my life come together and make great ukuleles and other instruments!
What sort of players are your ukuleles aimed at?
Oceana Ukuleles are aimed at people who love and play music. So far our buyers are both players and professional musicians….. but I’m not sure we’re aiming our Ukuleles at one group or the other, we just make great instruments that bring the best out of the people that play them!
What separates Oceana from other ukuleles?
The biggest difference between us and most Ukulele companies is the simple fact that we truly hand build the Ukuleles, we hardly use any power tools. What that means is that we spend a lot of time with each piece of wood that goes into a uke. We get to know it’s voice and we are able to utilize the wood so it reaches its maximum potential! We are building Ukuleles with the same techniques and traditions that the best builders used 80 to 100 years ago, but also bringing some great new school elements in as well. We don’t fabricate ukuleles we create them!
What do you think makes a great ukulele?
Music is very personal and the instrument you play is an extension of yourself. A great ukulele is an instrument that you want to play because it draws the music out of you. You will find a new song, one you did not know you had in you being expressed because the Uke you are playing is that good!
Some of your ukuleles have unusually placed sound-holes. How does that change the sound? Or is it just for show?
You must be referring a Kasha braced uke I built as an experiment, the sound hole was placed down by the first string and has a different look. I also built an Acoustic Bass Guitar with an off set sound hole, both these instruments have unconventional bracing that push the sound hole off to one side or the other…. other than that most things on our uke are where you would expect them!
We have not been simply following plans as we developed the Oceana ukulele but have been constantly refining our sound and look. For the past 5 years we have been putting them in the hands of musicians and working with their feed back. That means we have moved some things around. Our ukes have great playability and sound.. the balance is so smooth, none of this is an accident.
What made you choose to set up shop in Ecuador?
My family and I were living in Southern Ecuador working with a small non-profit clinic providing health education and care in rural communities. We came to respect Ecuadorians the more we worked in their culture with deep traditions that were birthed with the fusion of the Incas and Spaniards. In many ways Ecuador is a time bubble 10,50 and in some times up to 100 years behind many western countries, this is not mean in the “development” sense but rather in a very positive way such as, social values, connectedness, time not valued as we value it and that way more patience is applied to the craftsmanship. So building ukuleles in Ecuador was a natural step in the process. It was fun to see the Ecuadorians react to the “pulgas” (uke) I built and hear new melodies coming alive! One huge advantage to living high in the mountains of Ecuador was the perfect year-round relative humidity and tempter to build instruments.
After nearly five years of working with the Master Luthier he remains an integral part of Oceana Ukuleles. He is building ukuleles in Ecuador and now I’m building ukuleles in the North West of USA…We build instruments that your grandkids will fight over!
Yep, more Tom Morello. After the whole rap/metal crossover started so promisingly – the Judgement Night soundtrack, Body Count, Rage – it’s a real shame it ended up with Limp Bizkit and Linkin Park.
UPDATE: Bugger, that 8 on the G string in bar 4 should be a 6 on the A string. I’ll try to get it fixed later.
But if you’re looking for someone else to do all the hard work, you absolutely have to pick up a copy of Mad Tea Party’s Crampstastic Halloween EP Zombie Boogie. You can buy the downloads on BandCamp or the vinyl (ask your grandad) on their website.
