As Time Goes By is most famous for its inclusion in Casablanca. But the song was written a decade earlier by Herman Hupfeld for the long forgotten musical Everybody’s Welcome.
Intro: A quick campanella intro. There are a million things you could do here.
Verse: The slow pace of the song make this fairly simple to play. Just a trip up the fretboard in bar 7 to deal with. Another opportunity for your own spin at the end of each verse. I went jazzy in the first verse and bluesy in the second.
Bridge: Bringing out the strums for the bridge.
Solo: The solo is based on the melody shifted up an octave. With a few passing notes, a pre-bend (i.e. bending the note before plucking it then releasing) and a descending-ascending run in bars 23-24.
Today it’s one of the rare cheerful songs I like: I Can See Clearly Now. I worked from the original Johnny Nash version but I’m more familiar with Jimmy Cliff version so a bit of that might have snuck in.
I’ve tried to keep the arrangement loose and breezy to match the song. So focus on the mood when you’re playing rather than nailing down every note exactly.
A massive thanks to all Uke Hunt’s Patreon backers for keeping the site up and running this month. And double thanks go to these legendary patrons of the arts:
– Arthur Foley
– Colleen Petticrew
– Dan
– Dennis Boutsikaris
– Elizabeth Beardsley
– Ivo
– Jameson Gagnepain
– Jeff K
– Jeff Otto
– Jon Kenniston
– Kelby Green
– Kie77
– Lisa Johnson
– Monika Kolodziejczyk
– Moses Kamai
– Nevylle Carroll
– Nick Parsons
– Pat Weikle
– Pauline LeBlanc
– Robert
– Thorsten Neff
– Tina Knight
If you join Patreon at the Concert level or higher, you’ll get access to all previous exclusive tabs including March’s:
Burt Bacharach is one of the greatest songwriters of all time. So I had to do a little tribute to him with I’ll Never Fall in Love Again. For this arrangement, I worked from the Elvis Costello version that cropped up in The Spy Who Shagged Me.
Even in an apparently simple pop tune like this, Bacharach snuck in interesting little moves. So in bar 15 there’s a B7 chord with the melody hitting Ab. Which is the minor third of F creating tension in the key is F major. And there’s a bar of 2/4 cutting the melody short in bar 17.
A recent nostalgia trip compelled me to knock up a version of Masato Ishizaki’s music from the 80s arcade game Kung-Fu Master.
The tune is very quick. Even slowed down, it’s still a challenge. In order to cut the finger movement to a minimum, it’s arranged campanella style so the work is done with the picking hand and fretting hand doesn’t have to move much.
Afroman’s Because I Got High is a very simple song. Three chords and just a verse with a bit of variation in the intro and a bit of getting jiggy with it in the outro.
The only tricksy thing going on (other than a bunch of percussive chnks) is the campanella picking on “Coz I got high…” which first shows up in bars 6-7. I think having the notes ring into each recreates the slurred, stumbling feel of the original.
It’s St. Patrick’s Day on Friday. Just enough time to ditch your dullest friend, threaten to cut off your fingers and dedicate yourself to achieving musical immortality.