Baritone Book, Ukulele for Dummies Videos: Friday Links

I regularly get asked to recommend a beginner’s baritone book and I’ve never had a good answer. But I do now: Lil Rev’s Baritone Ukulele Method.

The videos that accompany the iPad enhanced version of Ukulele for Dummies are now available to download online. Scroll down to the bottom of this page and you’ll find ten videos with Lorraine Bow taking you through some beginner lessons. And if Lorraine on video isn’t good enough for you, she has a new beginners course kicking off next week in London.

Videos: Teaser video for Jake Shimabukuro’s new album, June’s most popular ukulele videos, Dracula ukulele serenade (thanks to @n0s0ap), Laurel and Hardy ukeing (thanks to Karin), Warren Buffett & Jon Bon Jovi do a ukulele duet.

Tom ‘The Idler’ Hodgkinson asks ‘Do women consider the ukulele sexy?’

On Uker Tabs: Jonathan Coulton’s Code Monkey

Smithsonian profiles Ella Jenkins

Pictures: Collection of vintage newspaper ads for Hawaiian bands and ukuleles, Greed-ler Ukulele, correct ukulele-playing stance.

Nancy Sinatra – You Only Live Twice (Tab)

John Barry – You Only Live Twice (Tab)

There’s a new Bond film on the way so time to write up my second favourite Bond theme (after this one).

I’ve kept it reasonably simple for this one. All the melody notes are playing with the thumb and all the supporting strums (shown in brackets) are strummed.

Melody Version

You Only Live Twice (Melody Tab)

If you want to do an easy version or work up your own, here are the melody notes along with the chords.

More Bond

Nobody Does It Better (Chords)
James Bond Theme (Tab)
Bond Theme (Simplified Tab)

Cuatro: The Ukulele’s Venezuelan Cousin

I’m always keen to check out what musicians are doing on their instruments to see what I can incorporate into my uke playing.

It’s easiest to integrate techniques used on instruments similar to the ukulele such as the ukulele’s Madeiran forebears and, the subject of this post, the Venezuelan cuatro.

Full Playlist

The Venezuelan cuatro – not to be confused with the Puerto Rican cuatro – has four string, is usually tuned ADF#B (like a D-tuned ukulele) and appears to have been strung by an idiot. It is re-entrant like the uke but re-entrant the other way round. The outside strings (A and B) are both an octave lower than they are on the uke. So the outside strings are lower than the inside strings.

That means both instruments use the same chord shapes. It also makes for an interesting duet with the ukulele. In the Penguin Cafe Orchestra clip the ukulele and the cuatro are both playing exactly the same thing. But the difference in tuning makes it much more interesting.

The current kings of the cuatro are the C4 Trio who are as spectacularly explosive as their name would suggest. They demonstrate the riotous strumming that is a feature of cuatro playing (if you thought Jake had a great right hand check out Danny Orduño Barines). The clip I’ve included is long but there’s always something interesting and entertaining happening.

Before the C4 trio, the master of the cuatro was Fredy Reyna. He took up the cuatro in the 40s when his guitar was stolen and went on to play, teach and popularise the instrument and give it a new respectability.

The popularity of the cuatro spread to nearby Trinidad and Tobago (turns out it is way closer to Venezuela than I realised). Which saw a blend of the Venezuelan style (more heavy in the Robert Munro clip) with Carribbean influence (Busta Theodore) creating a genre known as parang. Parang is particularly associated with Christmas – hence the last clip.

I hope watching these gives you a few ideas and plenty of inspiration.

Thanks to Gerardo Gouveia for suggesting many of these videos and inspiring me to write this post.

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Ukulele Ike – I’m a Bear in a Lady’s Boudoir (Chords)

Pops Bayless and Mysterious John – I’m A Bear In a Lady’s Boudoir (Chords)

I finally recovered enough from the Asylum Street Spankers split to post this. It was made famous by Ukulele Ike and covered by the Spankers on their Dirty Ditties EP. But the version I’ve written up is the uke-only performance by former Spankers Pops Bayless and Mysterious John.

The other two versions are broadly similar but the Ukulele Ike version is one fret higher and the Spankers’ version is two frets higher.

Suggested Strumming

This one is a bit too complicated to go in depth but you can use this as the main pattern:

d – d u d u d –

Twiddly Bits

The intro and the move from the C to the A7 use this little run:

There’s an ascending bit on the G7 in the ‘thick of the fight’ bits:

And on the G7 after that (“mostly at night”) he cycles through some G7 inversions:

Buy the Asylum Street Spankers version

Buy the Ukulele Ike version

Royal Boudoir Orchestra, Jontom: UkeTube

Some superstar guest appearances this week: Jontom is joined by Hawaiian guitar slinger Jeff Peterson, Ashton Kutcher provides bass for Snorri Helgason and Amanda Shires is backed by House.

Full Playlist

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Aquila Red Strings: Ukulele Window Shopping

Aquila have got a new set of strings the red series. These are low-G but the G string is unwound (i.e. they don’t have the metal wrapped round) so it’s just like the other strings (other than being red). I’m going to have to get a set of these. I’m not a fan of the sound or the feel of wound strings.

Luna are known for their… let’s say striking designs. So it’s no surprised that the vellum of the Luna banjolele is heavily filigreed. And if you’re into fancy banjoleles you might like the Valencia’s carriage clock shaped body.

Celtanowoodworks continue the crazy with a sharkulele

Giraffe bass ukulele (thanks to Phredd).

Looks like someone slipped on the ‘0’ key when pricing up some of these baroq-uleles.

Pictures: Sexy man plays ukulele to lovely woman, Popularity follows the ukulele

New Ukulele Books: Friday Links

No shortage of ukulele book releases at the moment. Here are some of the more promising ones:

Mark Nelson (who you might know as the writer of the essential Fingerstyle Solos for Ukulele) has a tab book of his latest album featuring blues, ragtime and hokum tunes. There’s a tab from it and a video tutorial here on Uker Tabs.

Ian Whitcomb’s latest is Ukulele Heroes. There’s a podcast about it here.

Left handed chords for ukulele and other instruments.

New long playing record from Mr. B The Tweed Album.

Garfunkel and Oates appear on the Savage Love Podcast singing songs and dishing out sex advice. And Dan Savage talks about how he discovered G&O via Uke Hunt.

After a long hiatus the Ukulele Hall of Fame is inducting two new members: Sam and Fred Kamaka.

When You First Get a Ukulele – well worth a read even for non-noobs.

Videos: A 25 minute lesson with Jake Shimabukuro from Play Loud Ukulele, Ukulele film quiz (with very entertaining clues here if you get stuck).

Pictures: Ukulele nails, Fred, my uke and me.

I’ve started a Spotify playlist of the best ukulele tracks of 2012. Listen to last year’s list here. For non-Spotifiers, here’s the list:

LP – Into The Wild – Live
David’s Lyre – Heartbeat
Leftover Cuties – Don’t Think Twice, It’s All Right
The Beach Boys – Isn’t It Time
OK Go – Needing/Getting – Video Version
Humming House – Gypsy Django
Katzenjammer – Cherry Pie
The Magnetic Fields – Andrew In Drag
The Vespers – Flower Flower
Garfunkel and Oates – Go Kart Racing
Mr B. the Gentleman Rhymer – A Rummy Old Day

The xx – Crystalised (Intro Tab)

I wasn’t as impressed with The xx’s debut album as most of the internet seems to have been, but there was enough interesting stuff on it to make me eager to hear the follow up that’s arriving in September. The most interesting being Crystalised with it’s interlocking guitar lines.

I’ve wangled the intro onto ukulele in few ways: with two ukes, with one, and a simpler version with one. The rest of the song is just Em – Bm – A. There’s also this guitar line in the chorus and the uke 1 part in bars 9 – 12 crops up later in the song.

Duet Version

The xx – Crystalised (Intro)(Duet Version)


Duet Version

Solo Version

The xx – Crystalised (Intro)(Solo Version)

Simpler Version

The xx – Crystalised (Simplified Intro)


Simpler Version

Buy the MP3

The ‘Ukulele: A History by Jim Tranquada and John King: Review

I’ve been looking forward to getting my hands on The ‘Ukulele: A History by Jim Tranquada and John King for a long time. John King’s Nalu Music has always been the most authoritative site on the subject.

When John died in 2009 it did look like it might not be finished. But Jim continued work on it and – spoiler alert – he did a fantastic job. He was also kind enough to send me a copy to review.

What You Get

An in depth and detailed history of the ukulele.

The book is 282 pages long but the main section (excluding appendixes, notes etc.) is 161 pages. There are plenty of black a white photos.

You can get a good sense of the book by reading A Strum through ‘Ukulele History on Nalu Music written by Jim and John.

The Good Stuff

Context – Finally!

Here’s how most ‘histories’ of the ukulele go: “This happened. Then this happend. Then this happened. Tiny Tim. Then this happened. The end.”

There’s never any historical, cultural or political context. They left a whole lot of questions unanswered. Like ‘why the hell did a bunch of Madeiran cabinet makers sail to Hawaii to become indentured servants?’ and ‘how did the ukulele go from being an instrument made by and for non-Hawaiians to being a central symbol of Hawaiian culture?’.

The book is great on this stuff.

Thought Provoking

Because the book doesn’t ignore everything that’s going on around the ukulele and its development, it sparks new thoughts and ideas all the time. It really gives you a sense of how much the ukulele, music and culture are a product of influences like geography, politics, the weather, economics, agriculture, religion and any number of factors. It also made me think deeper about whether it’s racist to play the ukulele, and the long history of women playing the uke.

Great Pictures

It’s not packed with photos like Jim Beloff’s The Ukulele: A Visual History but the pictures they use are fascinating and unexpected. Like that of John Phillip Sousa hanging out with a Hawaiian ukulele band in 1901.

Well Researched

There’s no blind repeating of second-hand knowledge here. Everything is meticulously researched and extensively footnoted. The notes are about half the size of the book itself (the main book is 153 pages and the notes are 74 pages long).

The Not So Good Stuff

There is more detail here than a casual reader is going to need. Which makes it hard going sometimes. I found myself getting bogged down in a few sections. So I did some judicious skipping safe in the knowledge I’m definitely going to go back and pick out stuff from it in future.

Overall

If you care about the history of the ukulele you have to buy it. It’s the definitive book on the subject. There’s no other book that comes close to it.

Buy it on Amazon US.
Buy it on Amazon UK

The Lumineers – Ho Hey (Chords)

The Lumineers – Ho Hey (Chords)

I’m slightly worried about the influence all this indie folk is having on my mental wellbeing. First it was the ukulele, then the flat caps, then the beard. Now those braces are looking very snazzy. This can’t be right. Nevertheless, indie folk provides a lot of ukulele-friendly songs (and it’s far too late to be worried about my mental health anyway).

As well as holding the fort until the 24th September, The Lumineers’ Ho Hey provides some excellent ukulele group fodder with its shouts, stomps, singalong chorus and simple chords.

The one downside is the tricky strumming.

Suggested Strumming

It’s so tricky I’m going to have to use slash notation to write it up.

Here’s the main strum from the intro and verses:

Which sounds like this slowed down:


Main Strum

The end of the verse goes like this:


Verse end strum

But if you find that a bit tricky you can get away with playing it like this:


Easier Strum

The chorus strumming is a lot more straight forward. Use this strum until you head back to the main strum:

d – d d u d u


Chorus Strum

In the middle section use that chorus strum once for the F. Then two down strums each on F and C. Then back to the chorus strum.

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