The tuning is a bit of a nightmare. Vedder has his uke tuned down about three quarters of a step. If you want to play along with the original, you’ll have to tune your uke to the song itself. The chord names are written up in their standard tuning names to avoid confusion (hopefully).
It has to be said, the playing is a little shoddy in places. But there are some interesting chord moves in the song, particularly how he plays around with the Bb chord. And where did that B9 chord come from?
I’ve been much enamored with Norwegian ukuleles since NRK was very nice about ukuleles and about Uke Hunt. I need to learn Norwegian as Google offers no translation of ‘oppgangstid’ and translates part of it as, “Here he publishes medical personnel, ukulele videos as well as notes and tabs to be a virtuoso.” (I’m pretty sure Dr Sparkles isn’t an actual doctor).
So, it’s time to pay it back and give some love to Norway’s greatest ukulele act. Again my translation skills have let me down, but here’s what I’ve been able to gather about Yoyoyo Acapulco:
– They’re not from Acapulco but Vestre Gausdal, Norway.
– They’re being harassed by an unfriendly UK record label.
– They make some lovely indie pop songs with ukuleles, cheap keyboards and kazoos.
Give me a few years to learn Norwegian and I’ll get back to you.
If you’ve got some spare Krone knocking around, you can buy their singles on their MySpace and you can download more tracks on NRK.
This will probably be another post entirely lost on my friends across the ocean, unfortunately. It’s a comedian you’ve never heard of at the Secret Policeman’s Ball doing a pastiche of someone who was never famous over there packed with references you won’t get (and even if I explained Michael Barrymore to you, you wouldn’t believe me). So apologies for that. You might want to busy yourselves with this clip of Kristen ‘Ukulele Sweetheart/Mel’ Schaal from the same event.
For the rest of you, it’s a dead easy song to play. Only three chords: F, C7 and Bb and that’s it.
Nice Ukuleles has to be one of the worst brand name of ukuleles out there. It makes the sound cheap and tacky when it looks like they’re a long way from being that. There are a bunch of them for sale here along with a handsome 6 string Kamaka.
SpongeBob SquarePants ukuleles have been around for a while now, in the UK at least, but there are a couple of interesting developments this week. In the US, there’s this appropriately shaped but possibly trademark infringing painted uke. And in the UK, there are a number of Flying V Spongebob ukuleles.
D’oh. “I bought this Mele Soprano Uke a few months ago, and broke my hand the same day it was delivered.” If you feel sorry for him, you do a BIN on his Mele for over the asking price of a new one.
On eBay UK, there’s a KeechBanjolele signed by the man himself along with a couple of banjo ukes here and here that look like they’d scrub up nicely.
On the subject of ukulele videos, UkeToob is a new blog and podcast showcasing the best ukulele videos.
Jumping Flea Market looks like it might be the recipient of a few of my hard earned Euros once the online store opens. Only two Euros for ‘Ukulele Huren’? (Except the sign is in Dutch)
Foggy Ruins of Time has an mp3 from and an interview with The Elated Sob Story (“Outta Me is my favourite song of yours…” “That’s a cover song.” Ouch.)
After a few weeks of heavy duty rock riffs, I’m having a change this week and going with some old school stuff.
Blues Skies has been recorded by hundreds of people including Sinatra, Ella Fitzgerald and Willie Nelson. But this tab is based heavily, very heavily, on Brian Hefferan‘s version because whenever I hear one of his arrangements, I can never think of a better way to play it.
The chords are fairly simple. Even when they get a bit jazzy in the ‘Blue skies…‘ section, all you’re doing is moving one string down a fret each time (although I’ve probably chosen completely the wrong chord names). There’s a nice variation on the B7 chord (2320) which replaces the B with a second seventh note – it makes for a very easy change from the G chord.
A slight change in naming policy might throw you though. I used to refer to major 7 chords as maj7, but from now on it’ll be 7M with a capital ‘M’ to distinguish it from a minor chord.
The intro is, obviously, a little trickier. I’ve tabbed it out quite sparsely with just the chords and melody notes so you’ll need to fill in with some supporting strums to keep things moving along.
When Earlyguard turned me on to Entertainment for the Braindead‘s Hypersomnia, I was knocked out by it. It’s full of beautifully fragile, drowsy tracks. I immediately started badgering her for an interview. Unfortunately, that fell down the back of the internet. So when she released her latest EP Hydrophobia – which you can download for free on Aaahh Records – I took the opportunity to have another stab at it.
How long have you been making music? What got you interested in making music?
Since music was in some way everpresent in my life and especially in my teenage years I started to build up an intense relationship with the songs I listened to, it came naturally for me that at some point I wanted to try this myself.
I had a sparse but present musical education as a child, including recorder lessons and a children’s choir membership so I was not entirely unfamiliar with the aspect of not only consuming but also playing music, but it was only when in I picked up a borrowed guitar to teach myself a bit that I actually started the attempt to make my own humble songs. That was a first tentative step I made about four years ago.
What made you pick up the ukulele? What appeals to you about it?
Picking up the ukulele was a surprisingly spontaneous decision, mainly inspired by some travelling plans for summer and the urge to take a light, portable instrument with me. Later the travelling plans were abandoned anyway but getting to know the ukulele was an epiphany to me. It should remain an important point in my musical development. The ukulele conveyed the feeling of immediate familiarity, which is something I had never experienced on the guitar. It was utterly inspiring!
But also apart from the mere playability and direct relationship to the instrument as such, I also like the ukulele as an overall concept. It manages the balancing act between being unobtrusive, modest yet still extraordinary. A ukulele player may attract attention with this unusual choice of an instrument, but doesn’t necessarily claim to be taken seriously. The more surprising it seems to be for the audience to experience that this somewhat toy-like thing can in fact be a serious instrument. Besides, it also appears to have an interesting influence on social behaviour among fellow ukulele players – there’s a kindness within the community of ukulele players that I rarely have experienced elsewhere so far.
How did the name Entertainment for the Braindead come about?
I am really bad in coming up with names for anything. When I started this music thing and had to find a name for it, this expression, that I had heard a while ago, came to my mind. I already had the web domain anyway and it struck me that in a way it would also fit the music project – at least it might keep the audience’s expectations low. And I’d rather go for a slight hint of sarcasm than choose something that sounds too pathetic…
Do you start with a theme in mind for your albums or does it emerge as you went along?
Maybe it’s a mixture of both, to some extent. But there are times when my life circles around a certain theme or idea or I keep some sort of leitmotif in mind that helps me verbalize the experiences I made over a certain period of time. So basically it just happens, at least it’s not artificially constructed.
What’s in the future for Entertainment for the Braindead?
That’s a good question. I don’t know, I will see where this leads me. It’s funny because this development is turning into a recursive process… Up to now it was just my personal development influencing the musical one.. now it starts to work the other way as well, which is quite exciting for me. And since this has just begun, I have no idea where it might end.
One of my questions in the batch that never made it to you was, “Hypersomnia feels like a lonely album. How does that fit with the theme of sleep?” Unless I’ve got it wrong, Hydrophobia feels a lot less lonely. It’s not really a question anymore, just an observation.
But this is a good observation, yes.. Hypersomnia is in fact a an extremely self-centered, introverted album. The notion of sleep as it is dealt with in these songs is mainly a means of isolation. The sleeper avoids confrontation with the world, the sleeping body is the shell into which he withdraws. It’s mostly about resignment and escapism and thus, loneliness.
Now while Hypersomnia focuses on the Self, Hydrophobia is about the others. It’s basically the next step, going out and giving up fortresses and facing the world in all its ambivalence.
