Dream a Little Dream of Me has been covered by many people since it first appeared in 1931, but it’s best remembered in the version by Mama Cass of The Mamas and the Papas.
I was discussing this song with UkeJill and we decided that the version on Ukulele Boogaloo wasn’t quite right, so I set about working out a version myself.
The most important chord I added in is the E7 just before the ‘stars fading…’ part. The verse section of the song is in C but changes to A for this part. The E7 acts as a pivot between the two keys. E7 is the V chord of the key of A and leads you into it. It’s very common to use the V chord to lead into the new key and to stop the two keys jarring against each other.
The chords to this song are a little tricky, but if you’ve got them down you might like to try this little variation.
After the C note lead-in, this follows the melody of, “Stars shinning bright above you.” For the last two strums in the first bar, I strum down on the top the strings with my index finger, then follow through with my thumb on the bottom two strings.
Like every great American comedy TV show the BBC gets its hands on (Seinfeld, Larry Sanders, Curb Your Enthusiasm), the BBC schedulers seemed intent on stopping people watching it by buffeting it around the late night, digital TV schedules. I presume they do this so we don’t realise how awful Brit-com shows like My Family are, but even broadcasting footage of a slowly rotting dog turd for the other twenty three and a half hours of the day wouldn’t make My Family seem funny.
Anyhoo, as well as being witty and enjoyable, Arrested Development had a theme tune played on the uke. The original version has been expunged from YouTube, so the video is a Family Guy parody of the theme tune but it has the same music.
The theme was written by David Schwartz (who also wrote music for Deadwood and Northern Exposure) and you can download a version without Ron Howard yammering over the top on David Schwartz’s website.
The main part of the theme is played on Tahitian ukulele. It’s tuned differently to your average uke so this isn’t a direct tab. It’s moved up the neck to give it the requisite plinkiness.
Watch my favourite recent ukulele videos including The East Boston Make-Out Club Band, sweetafton23 and The Fabulous Heftones my clicking ‘More’. Read the rest of this entry »
James Hill and Chalmers Doane’s new website, Ukulele in the Classroom, is up and running. The site promotes their new series of books aimed at school teachers and pupils. There’s a resources section which includes flashcards and quizzes for you to test your music reading abilities, and a forum. If you want to buy the books, you’ll have to take a trip back to 1997, print out an order form and mail it off.
The head-doctors said it wasn’t possible, but I’ve fallen in love. Here she is: 20s/30s Martin 3K. Bids start at $1,600.
If you want a bit of Martin magic but can’t afford that, you might like to check out this battered and bruised Martin ukulele. Full credit to the seller for the extensive and very clear pictures of the damage. The number of bidders that item has had just goes to show that being completely upfront about damage is the best way to go. Compare it with the pictures for this style 3 Martin. The seller says the cracks on the back have been fixed, but the blurry picture half way down the page raises some questions. Unsurprisingly, no bids so far.
If you’re after a Martin, it’s often worth looking carefully at any Oliver Ditson ukuleles that come up. Martin made a large number of ukes for Oliver Ditson. You can check out the picutures on this page (including a Ditson Style 0 next to a space age meat grinder).
If you’re looking to practice your uke repairing abilities, this whole pile of clapped out koa ukuleles should give you plenty to go at.
Potential bargain of the week: Slingerland MayBell banjo ukulele. It’s in a pretty messy condition, but there are currently no bids and a $25 opening bid. Because of the typo in the title of the listing (uklele) it might be that people are going to miss it. Has to be worth watching.
On a more modern note, this Custom Pahu Kani Super Tenor Ukulele makes me giggle every time I see it.
I’m going to get so much comment spam on this post.
Since I tabbed out Scotland the Brave for Burns Night (I’ve updated that post with a longer tab), I thought I’d also do an actual Burns song. Cock Up Your Beaver is, apparently, a call to raise your hat. I’m a little skeptical as to whether there’s no pun intended. Particularly after reading the lyrics to songs like this one and those in the pdf on this page.
Whatever the truth, the song is popular with a modern audience. The version of the song in the player is the one played by Camera Obscura for a Burns Night Peel session in 2004.
The chords are dead simple – just A and D – leaving you plenty of brain space to concentrate on keeping a straight face. If you want to fancy it up a bit, you can play this to ape the guitar part:
After playing Whack-A-Haggis for far longer than any sane man should, I decided to work out the tune: The Sons of Eilean Donan by Gayle Ellett. Here’s a rough tab of the melody.
Strumming the same chord over-and-over in a regular, quick tempo is known as a tremelo strum. These can be tabbed in a couple of different ways. They can be shown in the normal way (e.g. as a set of sixteenth notes) or as the total length of all the strums together with diagonal lines underneath the note.
In this example, the first half of the bar and the second half are both played in exactly the same way. One diagonal line under the note indicates eighth notes, two lines denotes sixteenth notes and so on.
Rasgueados
Rasgueados, sometimes called rolls, are a technique that entered ukulele playing via its Portuguese roots – developing from flamenco playing.
They are produced by strumming with each finger in quick succession. You start by flicking downwards with your little finger, then ring, then middle and finally index finger. It’s important that the movement comes from the fingers rather than the wrist so you can hear each individual strum. In the example, I play through slowly (so the strums are very distinct) then up to speed.
You can learn the proper, flamenco technique from this guy’s videos.
Rasgueados are tabbed in a very similar way to usual strums. The only difference is an ‘R’ at the base of the strum.
Advanced Rhythm Tab
Dotted Notes
Often in tab you’ll see dots after the note lengths.
In standard notation these dots occur next to the circle of the note:
In tab, the dots occur next to the bottom of the line (you have to be careful as dotted quarter notes can be easily confused with eighth notes).
These dots increase the length of the note by half. For example, a dot after a half note would increase its length by quarter note i.e. it would last for three beats.
In example 9 it is a quarter note which is dotted. This means it last for a quarter note plus an eighth note.
Ties
When notes are tied together you add their lengths together. The tab for ties is an arch between the notes – the same as hammer-ons but in this case there is no note at the end of the arch.
For instance, the dotted note examples could be written with ties to create this:
Often ties will be used to show one note ringing into another.
In this example, the open A string is left ringing while the C string is played. Quite often notes will be intended to ring into each other but there will not ties in the tablature. In this case, you should listen to the performance and decide what you think sounds best.
Triplets
With triplets, three notes are played in the space of two.
They are indicated by a bracket under the notes with a 3 in the middle.
You can have any length of note in a triplet, but in this example it’s eighth notes.
A triplet of eighth notes takes up the same amount of time as two regular eighth notes i.e. one ‘pip’ in the example.
Make sure that your triplets are evenly spaced within the time.
Swing Time
When a piece has a triplet feel throughout, it is said to be in ‘swing time’. Swing time can be heard in musical styles from blues to Irish folk music to reggae. In swing time, the first half of each pair of eighth notes is played for longer than the second eighth note of the pair.
Swing time is indicated at the top left of the tab like this:
Compare this example in swing time:
To this one in straight time:
Swing time changes the length of eighth notes. The first in a pair of eighth notes now takes up the amount of time of two eighth notes in a triplet. The second eighth note in each pair now only takes up one triplet eighth note.
The technical explanation of this makes it sound more complicated to play than it is. Once you get the feel of a song, it becomes natural to play it and you’ll be able to do it without thinking about it..
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Read the rest of the series here: How to Read Ukulele Tab.
It’s Burns Night on Friday and Andy (who you might know as zym if you’ve been following the comments) requested a tab of Scotland the Brave for his Burns night turn.
When I was researching the song (believe it or not, I do research), I found out the song is a lot more modern than I had thought. The melody first appeared around the start of the 20th Century and the lyrics were written in 1951. Speaking of which, these have to be some of most unlikely lyrics ever written:
Far off in sunlit places,
Sad are the Scottish faces,
Yearning to feel the kiss
Of sweet Scottish rain.
I’ve kept the arrangement very simple to give Andy a chance of getting down by Friday (and being able to play if after a drop or two). It’s simply the melody accompanied by occasional chord strums (C, F and G). Let the chords and notes ring for as long as possible to give it a bit more body.
If you’d like to recreate the sound of the bagpipes for this tune, get yourself a wheezing cow with a kazoo stuck down its throat to accompany you.
If you’ve been hanging around the online ukulele community for any length of time, you’ll have come across Howlin’ Hobbit. He’s one of the biggest ukulele proselytizers around and a ukulele style guru.
As well as busking at Seattle’s Pike Place Market and going on a long, boring quest for a ring, Hobbit plays uke (and occasionally other instruments) with Snake Suspenderz. The group was originally a duo with, tromboner, Thaddeus Spae, and has now grown to a quartet. They make witty, catchy hokum music and have just released a new CD A Few Loose Scales.
Hazlehurst’s theme tune for Last of the Summer Wineis the sound of death to me. The show follows three pensioners as they shuffle around the Yorkshire Dales doing nothing much in particular. It has been shown on the BBC every Sunday evening for the last 300 years. Because of this (and because Hazlehurst did a great job with the tune) the opening credits of Last of the Summer Wine always give me that little-death feeling you get on a Sunday night (and not the sexy French kind) before you have to go back to the grind on a Monday morning.
Thanks to the crawling pace, it’s simple to play. Most of the notes are open or part of the chords (F, Bb, C and Gm). There’s a trip up to the Gm at the fifth fret, but other than that it’s plain sailing.
