I got so many people emailing me about Beirut chords and when Saltatory was going to be back up, I decided it would be quicker just to set about tabbing the whole Beirut back catalogue.
The first part of this tune is played very loosely, so it’s tricky to keep up with the chords. The Dm – A – Bb flat move is one that’s common in flamenco playing.
I couldn’t find lyrics for this song and I haven’t got a blind clue what he’s singing, so you’ll have to go without a chord chart for this one. Luckily, the chords are straightforward. They’re Ebm – Abm – Bb all the way through. The chords aren’t too difficult to play in standard tuning, but they’re made even easier if you tune up half a step or capo at the first fret. That’ll make the chord shapes Dm, Gm, A.
Dead simple chords: Dm – Gm all the way through. You can jazz it up a little and follow the mandolin by taking your index finger off for the last few strums of the chords (creating a Dsus2 and a Gsus2 respectively).
This one really does require you to use a capo or tune up a fret if you’re going to play in the original key.
More of those F and Bb add9 chords that crop up in most of Beirut’s ukulele based songs.
The cheesy drum machine cracks me up every time.
Another song with that flamenco move in. The chords are A – Bb all the way through.
The Canals of Our City
Another one with impenetrable lyrics. I’m 96% sure the first few lines are, “Wolves gone over the sea, but nod for me/Watch now, I ho lay na ho had I and no tie, no tie.” The chords make a lot more sense. They are G – Dm throughout.
After the Curtain
A tough one to get sounding right on the uke. Using the chord progression D – Gsus2 – D – Asus4 is about as much sense as I could make out of it.
That’s it for Gulag. I’m working on Flying Club Cup (which should be done by this time next week) and Lon Gisland and others (by the week after). There’s already some of that stuff up on the Beirut chords page.