Here are the chords for the rest of NeverShoutNever’s Me & My Uke EP due to popular demand and to help ukulele-playing school boys impress girls (which is the closest to a noble calling this blog is ever likely to get).
Your Biggest Fan is another fairly straight forward three-chord affair with just C, G and F all the way through.
Suggested Strumming
Right at the start it’s:
d u x u d u
Then for the rest of the verse keep going with the x u d u
In the chorus the ‘da da’ part is just down strums. Then there’s this:
Bartt has just released a new album, Under the Big Fat Moon , and was kind enough to answer a few questions for us.
On first listen, there’s a strong Beatles influence on this album. Who else has influenced your songwriting?
Everyone says I’m George Harrison-ish. And I love Lyle Lovett’s sarcasm and Nanci Griffith’s sweetness. Then there’s Freddie Mercury’s crazy diminished chords, and Tchaikovsky and Johnny Winter and Hoagy Carmichael and Eddie Cantor and Bob Marley and Julieta Venegas and Anoushka Shankar and … uh … Oh, Brian Wilson, of course. I guess I love everybody!
How did you start playing flamenco on the ukulele?
I dunno how it started; I just play that way sometimes. I’m not a true Flamenco player like Paco de Lucia, but I’m crazy about Paco, and Flaco Jimenez and Los Panchos, too. I’ve been thinking of doing a Flamenculele album in Spanish. But Flamenco is usually sung in Spanish anyway, so maybe I’ll do it in English. Aw, heck. I might as well do it in French. Has anybody ever done a French Flamenco-ukulele album?
What makes the uke work well in this style of playing?
Flamenco sounds like crap on my Hawaiian ukes, but on my Candelas uke it’s muy magnifico. Candelas built Andres Segovia’s guitars, so they have lots of Flamenco secrets. Tomas Delgado spent more than a year buildi ng it for me. It’s the type of woods, the luthier’s techniques, and I guess it’s also in the way you play the thing: fast right hand and lots of finger-picking.
How do you make the ukulele work alongside big, loud instruments like piano, saxophone and drums?
Just get a bigger, louder amplifier!
The guys in my band are pretty danged good, so if it works, it’s because of them. Jon Gold is a blues piano monster; he’s from Oingo Boingo (the band, not the geographical location). And Tony DiGiovanni has drummed in Big Bands, and with heavy Jazz cats. I was a Rock guitar player and I’m a hard-core Boogie-Woogie guy, so I love putting that stuff into uke music. But I do love playing with the Hawaiian Braddahs, too. Especially just sitting on the beach with the ukes having a kanikapila.
“Happy Birthday” is probably one I’d skip. But I’ll try anything. I’m doing some Tchaikovsky, and I love playing funky stuff like advertising jingles or the theme song from “The Jeffersons.” My band does a great version of “Gumby,” too!
What’s in your uke collection?
The crown jewel is my Candelas tenor. Actually, it’s a little bigger than a tenor; it’s an eleven-er. It’s got tons of custom abalone and mother-of-pearl, with all sorts of little personal touches.
I’ve also got a nifty Ka maka soprano and a Mele tenor that I’ve wrecked from playing so hard. And a Lanikai 8-string electric, a bunch of Portuguese stuff: cavaquinhos and braguinas, a Romanian mandola, plus lots of guitars and basses, drums, a whole bunch of stuff. I’m addicted. I painted my face on one uke, with the sound hole as my open mouth. It’s pretty goofy.
As well as the uke, you play the Portuguese guitar. How do you go about playing an instrument tuned DABEAB?
It’s really tricky to learn the scales if you’re used to Western tunings, and it’s also a pain to keep in tune. It’s got 12 strings that are looped on both ends, and the tuning pegs are Old-World machine heads that screw up and down. They’re beautiful, but awkward.
There’s Coimba tuning (CGADGA) and Lisboa tuning (DABEAB), depending on which region of Portugal you’re in. Fado music is so dramatic, and the Guitarra Portuguesa is such an idiosyncratic instrument. After I heard Carlos Paredes play, I HAD to get one.
What on earth (or not on earth) is a Martian Moonboodle?
That’s me goofing around. I just had a little more space to fill up when I was writing the liner notes for my CD, “Under the Big Fat Moon,” and I wanted to see if anyone reads all the way to the bottom. Thanks for reading it!
What can we expect to hear from you in the future?
I’m planning a groovy instructional DVD. If anybody wants to tell me what they’d like me to include, I’d love it if you e-mai led me at UkuleleBartt@aol.com.
I’m going to do more international Ukefests, too.
My band is also doing a live worldwide Internet broadcast, so you can see us perform live on Saturday, April 4 at 8:00 PST (Los Angeles time). And you can e-mail the band during the show, so hopefully we’ll get some hellos from the far reaches of the planet. You just go to Bartt.net and click on the button and POOF! We’ll be on your computer. And tell them that Ukulele Hunt sent you!
Guy Forsyth’s little ukulele monologue in Richard Linklater’s Waking Life was, fittingly enough, a nightmare to work out. The intro anyway. It’s full of jazzy discords. I’m a long way from certain that it’s right. So if you have any suggests throw them my way.
The chords under the chatting, on the other hand, are fairly simple. It’s just D and Bm with a few plucked notes in. Although he does throw a missed beat or two in there on occasions.
Judging by the film, he’s playing in ADF#B. But I’ve written it up in C tuning.
Warning! One of these videos autoplays – I couldn’t figure out a way to stop it. But it isn’t on YouTube and I like it. It’s the first one if you’re desperate to stop it.
Revenge of the cute ukulele girl this week with Melissa Polinar looking to be on a collision course for Boing Boing (excellent song choice as well I think). PJ Harvey looks more ill each time I see her. Read the rest of this entry »
Not much catching my eye this week. Perhaps the raging UAS beast has been sated by my cave in to the Ukulele Shop’s current sale. I’m sure it won’t be long until it’s back.
The UAS beast might be having a post meal nap, but the URCAS (ukulele related crap acquisition syndrome) beast is still at work and hungering for kitsch Hawaiian uke shirt and a ukulele clock.
One uke that did catch my attention is this 5 string uke. The sound clip linked to in the listing is John King and well worth downloading and keeping.
Uncle Charlie wows the girls of Coney Island with his uke and pipe.
AAAAAARGH!!! Big blog problems at the moment. The site doesn’t seem to be updating. So no new posts are appearing on the front page or anywhere else on the site. Phew! Panic over. A big thanks to Armelle for alerting me to the problem. And a MASSIVE thanks to j-hob for fixing the mess. If you notice anything still looking screwy, let me know.
Ukulele MP3s: Stereogum are promising a listen to Death Cab for Cutie’s ukulele track later today (UPDATE: it’s up here). A week’s worth of ukulele mp3s on Doklands. Melophobe has a track from Those Darlins.
Is it safe to talk about Noah and the Whale again? The whole 5 Years Time thing did get a bit annoying. This one is definitely no three chord strumalong. There’s some very tricky picking involved.
When I pick it I use the one-finger-per-string (thumb on G string, first finger on C string etc.).
If you don’t fancy tackling that, you can make it easier by missing out the G string so you get this:
The chords in the last bit are A – Bm – C#m – Bm over and over.
You can blame the inclusion of this one on my increasing addiction to Guitar Rock Tour. It might be the endless repetition, but I really like this riff. And the Eddie Van Halen solo is widdletastic.
James Hill’s long awaited new album True Love Don’t Weep is out tomorrow. It’s a collaboration between him and his partner, dancing cellist, Anne Davison. You can listen to clips of it here and read him answering some of my impertinent questions about it right here:
It’s been more than two and a half years since A Flying Leap, how has playing developed in that time?
Yeah, it’s been a while. My deal with myself has always been: “don’t record a new album until you have something new to say.” It just took me a while to figure out what I had to get off my chest this time around. Lots of things changed in my life, too. We moved to the country, we started hanging with a lot more folk musicians, I grew a beard, and so on. It’s been three years but it feels like more.
How does duetting with a cello change how you are playing?
The cello is a good match for the uke. “Low and bowed” is a perfect complement to “high and plucky”! It was so obvious that we almost missed it; we were together for two or three years before we even considered playing as a duo. And it’s come a long way from it being “my thing” with Anne accompanying. Now she’s an integral part of the sound, vocally and instrumentally.
You’ve got a great voice. How come we haven’t heard it before?
Thanks. “Great voice” is too kind but I’ll take it. The point is this: if you want a certain depth of connection with your audience, you gotta speak to them. You have to open up. It’s hard to write instrumental songs “about stuff.” I mean, I tried. I still try and I’ll keep trying. But, you know, the stuff I’m talking about in Obedience Blues or in Travelin’ On… the only way to say it is, well, to say it. It took me a long time to get comfortable with that because it felt like I was “giving up” on instrumental music.
Your version of Sakura Sakura is bound to prompt comparisons with Jake Shimabukuro’s version. As the two titans of the ukulele, how closely do you follow what each other does? Is there any friendly rivalry between you?
That really wasn’t the point of me recording that song. I just love the melody and the “spaciousness” of the tune. Jake and I keep in touch but we haven’t been in the same room at the same time for years. He’s off doing his thing and I do my best to keep busy. The way I see it we’re both still cutting our teeth and finding our way.
What are your top ukulele practice tips?
For technical stuff, practice with a purpose and stop once you’ve done what you set out to do, whether it takes 10 minutes or 2 hours. For creative stuff, noodle constantly and don’t get too attached to your first inspiration!
Are you ever going to come to the UK?
I’d love to. When’s the first Ukulele Hunt Festival?
When I raised the subject of the sexiest ukulelist, you were the clear winner. How does it feel being a ukulele sex symbol?
“Ukulele Sex Appeal” would make a good uke workshop, don’t you think? Or maybe even a DVD…
A little respite after the difficulty of the last two. You can beef it up a little by adding the G string at the same fret for each note to make them power chords.
