Johnny Cash is a big favourite for ukulele groups and jams. And The Poor Boys of Worcester’s version of I Got Stripes has me convinced that song should be added to Ring of Fire and Folsom Prison Blues in the repertoire.
There are a couple of weirdnesses that make the original a bit less appealing on ukulele. Firstly, it’s in C# so a capo on the first fret is needed to make things straightforward. And there’s a strange Bb chord at the start of the song which makes it feel like the song is in F.
The original version also has a key change to contend with.
Two Chord Version
I Got Stripes (Two Chord Version)
To make it really beginner friendly, here’s a two chord, no capo version based on The Poor Boys of Worcester’s version and the version from Walk the Line.
Suggested Strumming
This pattern should get you through the whole song:
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The Trumpton theme is ripe for a ukeing. The tune has an acoustic guitar backing with a high melody. I’ve mushed those two elements together but if, unlike me, you have a friend you can tease them apart and play them on separate instruments.
It’s about halfway through 2016 and it’s already shaping up to be another great year of ukulele music. It was tough to narrow it down to a reasonable length but I’ve deliberated, cogitated and digested and come up with a list I hope represents a good overview of the ukulele scene in 2016.
If you think I’ve missed something exceptional let me know in the comments.
I’m so excited that Orange is the New Black is back. As well as being fantastic, there’s often some ukulele tucked in there. There was Miss E’s Hummingbird in season three and O’Neill’s anti-nun banjolele song in season two. Season four features this ditty from superstar-progeny duo Folk Uke at the end of the first episode.
The song is just three chords and has easy strumming so it’s perfect for beginners.
Suggested Strumming
You can use the old faithful strum almost all the way through:
d – d u – u d –
In the chorus and the solo: Play that pattern twice for the C chords at the end of the first and third lines. Play it once for everything else. So it sounds like this:
The only place that strum doesn’t work is in the outro. There switch to just down-strums. One for the G at the end of the line and two for everything else. For the very last line go back to the main strum for two chords then end on a down-strum on the C.
Twiddly Bits
With a little octave shifting, the solo transfers neatly to ukulele:
I’ve covered a lot of incredible chord progressions over the years. And I wanted to pick through them to find the tricks they used. And how those tricks added to the story the song was telling.
Let me know your favourite progressions in the comments.
First, it’s in saddest of all keys D minor. But my favourite part is the chromatic move down from Bb to A (chromatic means you move up or down one fret). That falling back feels so resigned and deflated. It’s perfect for the song.
This song, written by Fabian Andre and Wilbur Schwandt and covered by everyone, uses the same chromatic trick twice. Being in a major key it gives the move a lazy and dreamy quality.
6. Bon Iver – Skinny Love
The Chords
This one is in open-C tuning i.e. the A-string is tuned down to G.
This song makes great use of drones i.e. notes that stay the same through all the chords. And I made sure that carried through on the ukulele version by using an open tuning. So the C-string rings through the whole progression and the E-string for all but one chord.
Skinny Love also makes use of dissonance on the D7sus2. That chord has three notes close to each other: B, C and D. These clash to create an uncomfortable feeling that propels the progression forward. I wrote more about that in the best ukulele chords post.
This is a clever twist on changing notes over background chords. The notes on top of the chords (g-string, 1st fret to g-string, second fret) are repeated for each chord.
This is my absolute favourite chord turnaround. It’s adapted from Bob Brozman’s guitar version. The first three chords combine drones on the g- and E-strings with chromatic notes on the C- and A-strings. But this time the notes are ascend chromatically. That creates the opposite effect and makes the song a lively, excited.
Another chord progression using drones. This time the notes on the E- and A-strings sound through the first three chords.
But the highlight of the progression is the use of Bb9 and Eb9. These are unsettled chords like the D7sus2 in Skinny Love. But they’re not discordant. They’re melancholy and restless. The song is in Bb and using a Bb9 means the progression doesn’t feel like it’s relaxed and complete. The chords keep cycling and never resolves.
The pre-chorus section of Life on Mars uses the ascending chromatic notes over chords trick and keeps doing it until your head is about to explode.
First there’s an Ab chord with ascending notes on the C-string. Then it moves to Db and ascends on the E-string (Note: I adjusted the chord names to make them more readable). This section is the perfect over-the-top build up for the contrast between the mundane life the mousey haired girl is living in the verse and grandiosity of what’s happening on the silver screen.
