I can relate to this song’s take on summer. Not so much the drinking, driving and leching. More the writing half a line of a song, running out of brain power and just lapsing into dee-dee-dees. This song has some seriously awful lyrics. But the main reason I’m tabbing it is Tom Richter‘s excellent ukulele version.
The only downside with the version is that he’s using the very high E- tuning (b-E-G#-C#). But it’s very easy to replecate that tuning by slapping a capo on the fourth fret.
If you don’t have a capo, here are the chords in non-capo form:
In the Summertime (No Capo Chords)
Suggested Strumming
Here’s a simple strum you can use all the way through:
d u x u – u d u
Twiddly Bits
In the Summertime (Intro Tab)
Here’s a tab of that fantastic intro.
For the solo the basic chords are the same as the verse. But he’s throwing in all sorts of variations: 6, 7, sus2, sus4. Knock yourself out.
I just love Zeppelin so this song has been on my to-do pile for a long time. It had stayed there because I was a bit intimidated by how much there is going on. But once I got stuck into it the tune transferred to the ukulele surprisingly smoothly. I didn’t even have to change the key and I think I crammed the most important parts in.
My version is shortened but most of the important sections are in there once.
My favourite technique in the tune is the long, drawn out up strums. I’m doing a slow up strum with my index finger there. Definitely worth incorporating into your playing arsenal.
Trickiest Bit
I found sliding down the 3323 chord really tricky. You can simplify out without losing anything much by muting the g-string and just sliding down the G7 chord shape i.e. from x323 to x212.
It seems I just can’t stop myself tabbing. Despite being on a blog break the last few weeks, I put up a few time-sensitive tabs and chords in other places. Here’s a catch-up on them:
O’Neill – Nun Song (From Orange is the New Black)(Chords)
O’Neill- Nun Song (Chords)
As I mentioned yesterday I loved the second series of Orange is the New Black (even if it was the straw that broke that camel’s back and made me sick of John “sick fuck” Green being everywhere.)
Of course my favourite part was O’Neill’s anti-nun banjolele song. So I had to put up the chords. And, delightfully, I got a shout out from the man himself.
For anyone annoyed by my toilet humour and swearing in blog posts, you can lay the blame squarely at the feet of Rik Mayall and Ade Edmondson. I was obsessed with Bottom and The Dangerous Brothers in my younger days. I’ve even snuck in the occasional reference on the blog.
I spent most of my aestivation watching the second series of Orange is the New Black. And I was inspired by O’Neill’s delightful banjoleling to write up the chords for my favourite song of the series.
No, not Hey There De-bloody-lilah. But this gospel-inspired Tom Waits song. It has a strong call and response feel to it. Made explicit in Sarah Jarosz’s version. It would be an effective way of playing it in a uke group with the lead singing the the calls and the groups the, “Come on up to the house,” responses.
Since you’re busting out a capo, you can put it on the third fret and make things a bit easier for yourself by using these chords:
Come On Up to the House (Chords in C)
Suggested Strumming
A dead simple main strum of:
d – d u
Intro/Solo: Once for each chord.
Verse: Once for each chord except: twice for each chord on the first ‘come on up…’ and twice on the last chord of each verse.
Chorus/Outro: Six times on the D, twice on the Bm. Then it’s just the same as the last half of the verses.
It’s that time of year again where I burrow dead into the ground an aestivate to avoid sunlight. I’ll be back in a month or so. If you can’t wait that long I’ll still be posting on UkeToob and Tumblr.
If you’re looking for a summer project here are some lessons for you:
Since the last Acoustic Intros post I’ve been itching to do another one. And I realised that I’ve notched up five requests that (just about – I’m looking at you Bonnie Bear) fit that description.
They vary in difficulty but they all make use of fingerpicking. Usual rules apply: I try to do them in same key as the original but it’s not guaranteed; if you request the rest of the song I will scream the point isn’t to play the whole song but have a bit of fun, inject a bit of familiarity like this or to incorporate into a medley like this.
One of Nick Drake’s best songs (although I would probably say that about 60% of his music). This tab is in the same key as the original but I have had to simplify things a fair amount to get it to work.
The picking is all thumb and two finger style. That does mean playing two notes in a row with the thumb on different strings. I usually try to avoid that but I think it’s the best way to handle it here.
Trickiest bit here is the middle of bar 2 (and the repeats of that move). When you slide from the 5th fret to the 6th have your index finger barred across the E and A strings ready for the rest of the bar.
All chords for this intro. You could use strums for this but it’s more effective with one finger per string picking like the original.
The trickiest bit is bars 2-3 and 5-6. Here’s an easier way of playing it that loses very little in the sound.
For the x’s in the tab I’m bringing my hand down on the strings so they click against the fretboard. Here’s a video of that technique. The first half shows creating the click with just the thumb. Then using the whole hand (trickier but produces a more forceful click).
