This week’s videos include animated cryogenics from Helen Arney, Brazilian uker Lemoskine, an original Celtic-styled tune from Ken Middleton and plenty more besides.
Don’t forget, I’m posting new videos as I find them on UkeToob where you can have your say on what makes it to the final list.
After a couple of his covermedleys it’s about time I did one of Mr B’s own tunes. And, I have to say, it makes a pleasant change to write out the lyrics of someone with good diction.
I did the chord sheet based on the version on O.G. Original Gentleman. Which has a few differences from the video version. It’s much longer. The banjolele is in D-tuning for the video and slightly sharp of that on the record. Here’s the version of the chords if you’re playing in standard tuning with a capo at the second (and a half) fret.
Mr B – The Crack Song (Standard Tuning)
Suggested Strumming
For the opening part, it’s just down strums.
When it picks up you can use this as the main pattern:
d – d – d u d u
For the quick chord changes at the end of the line you can do:
d – d –
For each. There are some really quick chord changes in the last verse that just need one down strum.
I included Emily Scott in my post about ukuleles at the Edinburgh Fringe mostly because I was intrigued by the idea of combining ukulele with a string quartet. After that, she got in touch and was kind enough to send a copy of her album, i write letters i never send, and I was blown away by it. The strings aren’t just ballooning away in the background, they’re beautifully arranged. I highly recommend getting your hands on it.
Here’s my favourite track from the album.
And here’s an interview I did with her.
How was your Edinburgh Fringe? What did you get up to?
It was great! Unusually busy for us; often I panic at the amount of stuff on then miss it all. We put in a couple of appearances at Lach’s Antihoot, did an in-store at Avalanche Records, and sold out our full band show, which is cool to be able to say. They give you a wee logo and everything, but we kind of owe our friends and family now.
How did you first pick up the ukulele? And what keeps you playing it?
My brother was learning, and got one for me as a surprise gift from my local music shop, called me and told me to go pick it up. It came at the perfect time, as I had reached a slight stumbling block playing double bass, which is my first instrument, in terms of hoofing it around and the sheer physicality of playing it. What keeps me playing the uke is the desire to really explore it; I like the upside-down feeling of my quite low voice and a relatively high instrument, and a band who believe in me, who do silly things like come on tour when there’s little prospect of fame and fortune, and I need not go on about how great it is to skip to gigs with the smallest instrument in the band for a change.
How do you go about combining ukulele with a string quartet?
It’s amazing. I finally feel like I’m doing something that I can do like no-one else can, that’s really and truly me. I’m using what I learned at college, which I never thought I would; it’s like when you actually use the maths you hated at school in real life, and have a total a-ha moment. The band is great, I feel lucky to have found them; they play through stuff like a marvellous string machine, and it’s easy for me to hear how to progress. It’s been a major learning curve but I want to just keep doing it. I tell them I want them to live in my living room and they think I’m joking.
You’ve obviously got big ambitions for your sound. Where do you see your music going in the future?
Hmm, so hard to say. I can’t believe that the kind of job that I want, where I gig all the time, and record forever, really exists any more, we’re just going to see how it goes. Booking this tour has been an eye-opener for me, but luckily we’ve managed to find a handful of intimate and unusual venues that really suit our music, and the kind of DIY promoters that are into it for the music not the money. You can’t ask for more than that.
Videos this week include: a duet between Cliff ‘Ukulele Ike’ Edwards and Buster Keaton (which I think I’ve posted before but is well worth another spin), two from Liverpudlian swingers The Flamin’ Mamies, Mr B and plenty more.
– Don’t say you play the ukulele if you just own one and don’t touch it.
– Don’t be an overly happy asshole
– Don’t constantly flit around reminding everyone you play the ukulele…
– …Unless you’re James Hill. Then you fucking rock.
Is this the first time I’ve done a Burt Bacharach song? I think so. And it’s a huge omission. One that Shireen of Mighty Ukulele suggested I fix.
I’m playing this mostly fingerstyle. The only strumming is done where you see the arrows in the tab. Most of these are finger-strums. But there are thumbs in the, “In silence…” section and the final chord.
I got asked why I use my thumb to strum when I’m so against it usually. There is a difference between general strumming and strumming in a tune. In solo playing using your thumb will give you a softer sound. It’s also more practical sometimes. When you need to strum up to a specific string it’s a whole lot easier to do with your thumb.
When I announced I was switching to posting one-week-on, one-week-off the main reaction was, “yeah, but you’re still going to do the UkeTube every week, right?” No, I’m not.
But I am going to do something better.
When Donnie announced that he was going to bring UkeToob.com to an end I immediately begged him to let me take it on. And he was kind enough to let me.
So from now on I’ll be posting videos I like on there. There’s a rating underneath each video so if you see one you like rate it and that’ll improve its chances of making the Uke Hunt round-up.