This Frank Loesser song was originally recorded by The Orioles but has become a bit of a ukulele classic since being covered by Zooey Deschanel and Joseph Gordon Levitt in 2011. I wrote up the chords back then and now time for a tab.
In this post a year ago I mentioned the three albums I was most anticipating this year were from Arctic Monkeys, Kanye West and Zoe Bestel. As it happens, only one of those was able to both release and fabulous album and refrain from claiming slavery was a choice.
Transience is an absolute joy. Every element is beautifully put together and the production is top notch. You have to give it a listen.
Their name may have been hijacked but the singer-songwriter supergroup of Sara Watkins, Sarah Jarosz, and Aoife O’Donovan released a fantastic collection of tunes this year. With the ukulele-heavy title track See You Around providing the highlight.
This category is always the hardest for me to pick a winner in. There are so many talented and inspiring players out there and I learn new stuff and crib ideas from them all the time. I have to give a shoutout to the amazing Brazilian players Aline Kelly, João Tostes and (last year’s winner in this category) Vinícius Vivas who have been putting out consistently great music all year.
But the winner is a late entry from Paul Hemmings who has just started putting up his collection of arrangements of Duke Ellington tunes from an upcoming tab book.
The most nebulous category. I don’t try out enough ukes to know which is actually the best so I go with the one I lust after most and can’t afford. And with a $4k price tag I’m never going to get a Kanile’a 2018 Platinum but it looks and sounds incredible.
It really does seem like I’ve had to do far more tribute posts the last few years than I did in the early days of the blog. This year saw the deaths of Mark E Smith, Dolores O’Riordan, Pete Shelley, Hugh Masakela and (the one I took hardest) Scott Hutchison of Frightened Rabbit. But the biggest loss was Aretha Franklin who has to be the greatest singer of my lifetime. Even in the field of soul music where a vocalist’s ability to convey emotion is so highly (and correctly) valued she stood above everyone.
I still regard myself as too dumb to play jazz properly. But I’m working on it. And I really enjoyed using this tune as a springboard for some soloing. The tune is so strong and airy that it’s very open to (and forgiving of) fretboard meandering.
Having an album of songs all exactly a minute long seems like a cheap gimmick. But Whack World is put together with such a sense of fun and creativity it’s immediately charming. And paired with the 16 minute video of the entire album was my favourite musical experience of 2018.
In tribute to Pete Shelley I had to write up this punk classic.
As much of a punk classic as it is, it doesn’t follow the I-IV-V three-chord belter of most punk songs. It even has a key change in the outro. Some other punk songs also use key changes such as I Wanna Be Sedated and Bad Reputation but they tend to use a I-IV-V progression.
With the song being in the uke-unfriendly key of F#, this arrangement uses a capo at the fourth fret. And making the chords simpler lets you concentrate on tackling the tricky strumming.
Suggested Strumming
Intro and verse: For all the Am – G changes you can play this pattern on the Am followed by one up-down on the G.
d – d – d u d u
d u d u –
Then this twice on the C:
d u – u d – – u
– u – u d – d u
Chorus: For everything until the last line you can use this once per chord:
d – d – d u d u
The last line has some rapid changes:
Bridge: Just down-up over and over.
Outro: The outro is similar to the chorus so you do the rapid G-C strum with the F-Bb change and the chorus strum for Eb-G.
A new tab from David Beckingham. This time he’s covering John Philip Sousa’s The Liberty Bell which, despite being used in the majority of US presidential inaugurations, is still best known as the Monty Python theme tune.
I did my own version of this tune a while back (tab in the Songs of the States ebook) and it’s interesting to compare the two versions. My version is in F while Dave’s is in C. That means he has more space to play with high notes later in the tune but requires a bit of octave switching earlier on (in bar 9).
It’s impossible to get away from this song around this time. And this blog isn’t going to give you any respite. But it has been 10 years since I posted the chords so it’s about time for the tabs.
This arrangement starts off with pretty simple with a loose fingerpicking arrangement. After that it’s strummed with a few notes picked and a lot of string muting until a return to fingerpicking right at the end.
In case you’re not familiar with the repeat markings, You play straight through to “D.S. al Coda” the first time. Then you go back to the symbol that looks like a drunk dollar sign in bar 23. Play up to where it says “Da Coda” then skip ahead to the target in bar 59.
