I thought I was done with Billie Eilish for a while after tabbing up bury a friend and when the party’s over. But there’s some ukulele action and I love it when old musical tropes get adopted and reworked, so couldn’t resist taking on two examples from Eilish’s new album. bad guy (below) adapts some old blues ideas while 8 takes a classic 30s turnaround chord progression of C – E7 – Dm – G7.
Before you tackle this one, slap a capo on the third fret.
Suggested Strumming
You can do this strum twice for each chord all the way through (although on the original the chords do cut out now and then):
d – d u – u d u
Sometimes there’s a touch strum on the first down strum. That means you hit just the g-string when you strum. It doesn’t matter if you hit the C-string as well but aim for just the g.
There’s a dead simple solo. Be sure to give the strings a bit of vibrato to make the notes last as long as possible. I’ve tabbed this without a capo but there’s nothing below the third fret so you can keep the capo on with no problems.
The bass in bad guy (played on a baritone here) uses a traditional 8 bar blues riff using the minor pentatonic scale. Later in the song it’s joined by a part (played on tenor in my version) that uses the blues scale. If you’re interesting in learning more about those things you can find much more info in my Blues Ukulele ebook.
As promised when I tabbed bury a friend, here’s a version of the slightly less creepy and more Bon Iver-y when the party’s over.
The song is mainly made up of vocal harmonies which means it works well with ukulele chords. There is a lot of space in the tune. So make sure you let it breath and don’t take it too fast.
I’ve used repeats in the tab, but there are a couple of small differences between the two verses. Firstly, I move the little run in bar 14 to bar 8. Then play this for the,, “Call me back”:
I pluck this firmly and very close to the bridge to replicate the jarring, distorted sound in the original.
The trickiest part of this arrangement is the, “Quiet when I’m coming home,” campanella run in bar 17. If you’re not into that, you can play it like this:
I like to keep a list of songs that use just the most common ukulele chords. Arranged by the order people usually learn them in. That way you can find some songs to play no matter how few chords you know.
C, F and G (or G7)
If you prefer, you can use G7 in the place of G or vice versa for any of these songs.
It’s already turning into a sad year for musical deaths. This month has seen the loss of Dick Dale, Keith Flint and Scott Walker. I’ve already covered The Prodigy’s Out of Space and done tab a version of Miserlou here. So here’s a quick tribute to Scott Walker.
Walker is best known for his orchestral ballads and dramatic baroque arrangements. But I’ve gone with a stripped down song that really showed off his songwriting chops: 30th Century Man.
I’ve used the most common chord forms in the chart. But I prefer to play using these chord shapes:
I’ve been a fan of Ariana Grande as a person since the classy way she handled the Manchester bombing. I haven’t been a consistent fan of her music but thank u, next is a winner. Firstly, there’s the tasty chord progression. In the key of this arrangement it goes:
Second is that great vocal run leading into the chorus (bar 20). It’s very quick so I used campanella picking to play it. If you prefer, you could use hammer-ons and pull-offs like this:
And, third, her use of the Scotch snaps rhythm in the chorus (first cropping up in bar 24). Which goes like this:
Coupled with half-time Scotch snaps in the intro and outro: